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Printmaking, Aquatint on Paper
Size: 15.3 W x 22 H x 0.1 D in
Ships in a Tube
$430
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97 Views
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ABOUT THE ARTWORK
El Gallo de Oro I is inspired in the iconography of the rooster in Mexico and France and my transition from moving to Paris from Amsterdam. This etching is part of a triptych printed in black, blue and red. El Gallo de Oro I is the only edition of 10 prints. It was also the inspiration for the collection “El Gallo Rojo” from my sustainable clothing brand Alba Paramo Studio. The limited edition consists on ten etchings hand-painted with golden Japanese watercolor, printed on a Hahnemühle sheet of paper. The etching printing technique consists of a drawing made on a copper plate which is then inked and hand-printed on a larger sheet of paper. Each print is an original and each one of them will be unique from the other since they are all hand-printed. Edition, title and artist signature are handwritten by the artist under the printed image. The whole artwork is the image of the copper plate on the larger paper sheet. That is the format that I intend to use as a whole. NOTE (see also second picture): Paper size (WxH): 22x15.3 inches (56x39 cm) Copper plate (image) size (WxH): 10x6.5 inches (25.5x16.5 cm)
Original Created:
2020
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DETAILS AND DIMENSIONS
Printmaking:
Aquatint on Paper
Artist Produced Limited Edition of:
10
Size:
15.3 W x 22 H x 0.1 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships Rolled in a Tube
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
France.
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Alba Paramo
France
As a Mexican artist, my art is rooted in Latin American symbolism, mythology, literature and cultural history. The images that appear in my prints, drawings and paintings are interpretations of dreams about love, nature and the sacred connections between animals and human beings. They are representations of my vision and heritage as well as my deep interest in Tibetan art. Like an enlightened moment, I have realized the dualistic nature of art, its diversity and universality in relation to the state of mind I have created when I left Mexico. Since moving to New York City in 2010, Amsterdam and finally having settled in Paris. I have continued to expand my working processes and mediums to achieve the best result by exploring their unlimited possibilities. I consider my art to be open ended. It is up to the viewer to interpret it as they like, to contemplate what they see and feel instead of my interpretation of what the work is about.
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