VIEW IN MY ROOM
Canada
Printmaking, Etching on Paper
Size: 9 W x 12 H x 0.1 D in
Ships in a Tube
Shipping included
Despite the inherent challenges and restrictions, depicting a three-dimensional world on a flat, two-dimensional surface offers endless opportunities for illusion and ambiguity, This is especially true in monochrome works. The same line can be interpreted as part of two different structures facing opposite directions, and a simple geometric shape can be perceived as receding or approaching, depending on the viewer's imagination. In this line etching of a seemingly austere architectural scene, medieval, preindustrial, and modern motifs are intertwined. Platforms abruptly end, interiors become exteriors with impossible joints bridging between them, and stairs lead to nowhere. This is an original, limited edition etching, with a total edition of 40, 31 of which are available. It is printed on acid-free archival Arches Johannot Paper. The paper has large borders on all sides. When framing, it's absolutely important to use an acid-free mat.
Printmaking:Etching on Paper
Artist Produced Limited Edition of:40
Size:9 W x 12 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
I was born in Shiraz, Iran, in 1960. The same year I began my post-secondary education in engineering, I enrolled in part-time painting classes taught by the Iranian artist G.H. Saber. This started a lifelong journey on two diverging paths: pursuing my true calling as an artist, and earning a living. Despite devoting much of my free time and attention to art, I remained in engineering for many years due to practical and financial concerns. With my wife's support, I finally quit my job in October 2021 to fully focus on my art! For years, graphite and pen and ink drawing felt the most intuitive to me. After moving to Canada, I got into printmaking in 2003, which introduced me to the local printmaking community and expanded my technical and market possibilities. In the early 2010s, I began experimenting with oil paint, which quickly turned into my favorite medium. Visual imagination and illusions are my primary inspirations. As an obsessive daydreamer, I “see things” in the most ordinary objects and occurrences. This has been a common thread in my art since my childhood scribblings. Over the years, my approach to these "apparitions" has evolved. My prints were more stoic, while my recent paintings are more free and relaxed. Today I call myself a fantasy artist, not in the popular sense of illustrating preconceived unreal creatures and scenes. Rather, through my art I try to see and discover new and unfamiliar worlds, and incite viewers to do the same.
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