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Limb Composite 1. Hitler - Limited Edition of 125
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Limb Composite 1. Hitler - Limited Edition of 125 Print

Alla Tkachuk

United Kingdom

Printmaking, Manipulated on Paper

Size: 14.6 W x 21.7 H x 0 D in

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About The Artwork

The ‘Limb Composite 1. Hitler’ is digitally cut out legs out of the original 'Naked Hitler' painting, and produced as a poster. The image is part of four ‘leg composites’. They set to be exhibited within 'The 20th Century Dictators' series accompanied by organic sounds activated by motion-sensing technology. 'The 20th Century Dictators' (2002-2007) is a series of paintings, floor adhesive prints, posters, wallpaper and textile design, billboard, and animation that explores the images of naked Hitler, Mussolini, Franco, Mao Zedong and Stalin in contemporary context going beyond the historical or documentary analysis. The animation 'Christ is Not an Aryan' was screened on Europe’s largest digital screen in 2007 on top of the Axel Springer Building and was dabbed as “one of three things to see in Berlin” by Bild newspaper (Germany) and BZ Magazine (Germany) at the time of the screening. 'Siamese Twins' painting featured as ‘The Image of the Week' in The Times' Art Review. The ‘Full Figures’ paintings (painted in oil on 4mm plywood board and sanded down) featured in the literary magazine Der Freund (Germany) in December 2005. For the series the artist was named the 'Critic's Choice' by Saatchi Online in 2007. The series was exhibited at Crone Gallery in Berlin in 2007. The series; artworks are to be exhibited in 6 environs: • Environ 1: Full length life-size paintings of naked Hitler, Mussolini, Mao Zedong, Stalin, and Franco, • Environ 2: ‘Heads’, floor-adhesive vinyl prints and 48-sheet billboard 'Dictators TM’ • Environ 3: ‘Torsos’, posters • Environ 4: 'Limbs Compositions' prints, accompanied by organic sounds activated by motion-sensing technology • Environ 5: 'Group Portrait' wallpaper that covers the walls of this environ space. Environ 5 also contains the animation ‘Christ is not an Aryan’ and the double portraits • Environ 6: 'Memorabilia Shop' where audience ‘buys into' the dictators. Visit artist’s website: http://allatkachuk.com/

Details & Dimensions

Print:Manipulated on Paper

Artist Produced Limited Edition of:125

Size:14.6 W x 21.7 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist Alla Tkachuk explores the notions of human identity and the social dimensions of art. The 20th Century Dictators, 2004-07, is a series of paintings, floor adhesive prints, posters, a wallpaper, textile, 48-sheet billboard and animation. Going beyond the historical or documentary analysis, the series explores images of Hitler, Mussolini, Franco, Mao Zedong and Stalin in contemporary context. Portraits of Prince Charles, 2001-02, were created following a sitting at Highgrove. The portraits including the 'Black Prince' and 'Prince of Cool' featured on the front pages of The Times (UK) and Bild (Germany), as well as in ITV and BSN reports, Der Spiegel, Hello, Jackdaw Art Review, and other press and media. ‘Black Prince’ became a cover of the literary magazine Der Freund (Germany) and won the Lead Award's Gold Medal ‘The Best Magazine Cover of 2005'. National Portrait Gallery (NPG, London), 2002-06. Alla curated her seminar series on modern portraiture ‘The Changing Face of Portraiture’ at the NPG debating how portraiture can escape the shackles of convention with leading artists and critics such as Maggi Hambling and Tim Marlow. The Times (UK) was the series’ Media Partner and wrote: ‘Alla Tkachuk believes that radical new concepts are needed in portraiture today. She would like to encourage 3D digital and installation portraiture, has invited [to the seminars] a cosmetic surgeon to discuss his work ‘as an artist', commissioned a ‘sound portrait’ and offered herself as a living portrait to grace the walls of the NPG’. (The Times, 13.06.06). '5D Instigative Heads', 2004-08, is a pioneering experimental work that transforms the production and consumption of representational art through digital technologies. The ‘Heads’ are 3D scans of facial expressions painted in oil (texture maps) and then digitally merged, moulded and deformed in space and time (3D modelling and animation), integrated with electro-acoustic landscapes and augmented reality, printed in 3D and projected. Social Art Project MASK, 2006-18. Alla believes in the social dimensions of art. Art should empower people and help them to work towards a common goal. It should deal with issues directly rather than simply express them. In 2007, she set up a social art project MASK (Mobile Art School in Kenya) to strengthen creativity of young people in Africa to enable them to effectively solve problems and bring change.

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