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Roberta was the name of this shoe. I would have liked to go dancing with a gal that wore a pair of these. We would go to the roof of the Waldorf Astoria and Boyd Rayburns band would be playing. In the early hours of the morning we'd go to Sid and Charley's dinner for breakfast, then we'd walk through the Village and Washington Square as the sun rose and people like Spring emerged from under the Earth.derground

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View In My Room

Nude With Airport - Limited Edition of 24 Print

David Getz

United States

Printmaking, Screenprinting on Paper

Size: 27 W x 42 H x 0.1 D in

Ships in a Tube

$1,064

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The space and lighting of Surrealism, the rhythm of jazz and rhythm and blues, the sexuality that lurks behind our eyes. and what the mind really sees when the mind looks beyond the cliches of magazines and TV. It is static and it is moving. First we see whats in front, then what is happening behin...

Year Created:

1984

Subject:
Mediums:

Print, Screenprinting on Paper

Rarity:

Limited Edition of 24

Size:

27 W x 42 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

I was born in 1940 and grew up in Brooklyn. I studied at Cooper Union in NYC, Skowhegan in Maine and got an MFA at San Francisco Art Institute in 1964. I won a Fulbright Fellowship and lived in Crakow, Poland for a year. I taught painting at the SFAI from 1965 to 1966. I have also been a professional musician since I was 15 and in March of 1966 I joined the rock and roll band Big Brother & The Holding Co. From then until 1979 I played music, recorded and toured all over the world with many different musical artists. In 1979 I returned to visual art, mostly printmaking but since then I have worked in many different media. For the last 42 years my work has evolved and that evolution has moved through different styles, media and directions: abstraction, realism, illusionism geometry, pop imagery, found objects, mixed media, etc. I consider myself lucky to have had the freedom to explore and have not felt the need or the desire to establish a mono-fixation or the commercial pressure to repeat myself; yet it is apparent that through all the changes what I have created and continue to create is informed by a particular sensibility, a feeling for rhythm and a way of seeing the world. In the past few years I have found myself wanting my art to tell a story and to see the elements of my work in a more metaphorical way. Meaning and content have become more important and have taken precedent over purely abstract/aesthetic concerns. I have no contract with dogma or some unwavering, singular idea of what art should be or look like. I try to stay open to the possibility that inspiration can come from anywhere and anything can be made into art. Dave Getz

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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