PIEL DE LA MEMORIA III Print

Javier Albar's (1969) poetics refer to organic, geometric and technological abstractions which are fusing each other, across a synthetic and formalist version. In his work is detect a whole world of references whit major or minor discretion such as: the architecture deconstruction, the technology, the structural engineering, the futurist cinema, the urban maps, the air maps of the cities lights at night, natural elements such as: the water, the snow, the stones, the plants. The osseous structures of animal and fossil skeletons of dinosaurs are mixed in imbalance compositions and full of tensions and linear secret connections. He used the circle as transition between the organic shapes and the geometric shapes, geometry that not adjust to no mathematical calculation but to an intuitive and emotional use of the artist.