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"Philip Glass - In the Upper Room--Dance Number III" Print - Limited Edition of 1

Tammra Sigler

United States

Printmaking, Monotype on Other

Size: 30 W x 38 H x 0.3 D in

Ships in a Crate

SOLD
Originally listed for $2,960

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ABOUT THE ARTWORK

Sometimes music is so powerful that you can almost hold it in your hands….even taste it! The Philip Glass score for “In the Upper Room” had just that kind of effect on me. I knew, as soon as I heard it, that I had to paint to that music. This collection, like all of my work, is first and foremost about line, color, form and relationships. Additionally, my work is always about “the mark,” and in this series that is most evident. It is as if each note and sound became a mark and a gesture. It is, in fact, music on paper! I like to draw on the printmaking paper first…I like “dirtying” my paper! Then I work on the plate for the print. Then the plate is printed on top of the drawing and voila the two disciplines merge….making magic! …rather… making music!

DETAILS AND DIMENSIONS
Printmaking:

Monotype on Other

Artist Produced Limited Edition of:

1

Size:

30 W x 38 H x 0.3 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Facets, fragments, random ideas Float, stop and land without plan Or reason Only to create form And pattern Recognizable repetitions To be dealt with discovered uncovered understood. If we are open The story of happenstance can tell all. When I step up to the canvas I make a mark... and then another...and another. I let the marks create their own journey on the surface...weaving, constructing, and interacting until patterns and relationships begin to speak to each other and to me. I play and talk to the canvas with my brush. It speaks back. If I listen carefully, I learn what my paintings are about. I am always amazed at their truth. As a working professional artist for over forty years, I have moved through and experimented with many different phases. Looking back, I can always see the logical evolution and flow into every new area. My paintings take me to each new place....I just follow. I like to work in a series....trying to develop and push an idea to see how far I can dig and how much I can learn from it.....to ask it more questions. I discipline myself to stay with an idea until, one day, it is all painted out. Although my subject matter and conceptual ideas may appear to change as I move through these different periods, my most basic painting issues always stay the same. My work is first and foremost about the plastic quality of paint itself ...then about color, line, forms and shapes, and relationships. I look for the unexpected and the surprise. My work is always about the "mark." facebook youtube

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