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Printmaking, Screenprinting on Paper
Size: 13.5 W x 17 H x 0.1 D in
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296 Views
31
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Title : 'Round Up' Paper size: 43 x 34cm Image size - 27 x 22cm A seventeen colour, (all mixed and applied by hand), original screenprint on finest quality Fabriano Rosapina 100% cotton paper (285gsm). Numbered, signed, titled and dated in pencil at the bottom . Edition of 40 . sold unframed All my prints are created entirely by hand, from the initial drawings, mixing of the inks, to the actual pulling of the ink across the silk screen onto finest quality paper. Every edition is very small, so you are buying something unique and of the highest quality, lasting a lifetime. (hopefully increasing in value too!) This is different to 'Limited edition giclee' prints which are reproductions (inkjet prints from a computer) and not originals. This print has a textured appearance rather than a solid hard edge. I wanted to create a printed 'drawing'. I love to print on handmade Italian Fabriano paper as the inks sit beautifully on it. It is lovely and thick with a slight texture and deckles to two edges. Shown here with 'House II' which was exhibited at the Royal Academy of Art, just a handful left for sale, which can be bought separately. To find out more and view other work visit . This print will be carefully backed and wrapped onto card and shipped flat. The Copyright is not transferable with the sale of this print. Emma Lawrenson © all rights reserved
2019
Screenprinting on Paper
40
13.5 W x 17 H x 0.1 D in
Not Framed
Not applicable
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Emma Lawrenson ARE (British printmaker.) 1973 My passion for printmaking began in 1991.Several years later I was lucky enough to study for an M.A at the Royal College of Art, which was an experience that has shaped my life ever since. I work from my Yorkshire countryside studio, where I endeavour to create thoughtful and harmonious pieces (some geometrical, others more fluid, tactile and organic) with a carefully considered approach to form and space. I approach printmaking as a recording process of ideas, feelings and moments in time; where inspiration is gathered from the changing seasons and fabric of the landscape. I try to preserve these moments and memories through layering and hand-drawn marks, with interactions of subtle colour. I see colour as the poetic language that binds it all together and I work with it intuitively to create ‘quiet’ prints with a feeling of calm. I begin each print by hand-drawing every stencil. The drawings themselves are relatively simple in structure and execution. However it is the whole process of building up the prints, little by little, layer by layer that fascinates me. The formal qualities of printmaking and engagement with the process is what holds the beauty and soul of a finished piece. Some prints are worked into afterwards with pencils or conté crayons. I enjoy making smaller prints that act as a visual diary or ‘sketchbook’ of ideas on old pages, printed spontaneously alongside making works on paper. This process attempts to invite unknowns. It’s more organic, and ‘records’ a specific time where the work is made by chance. These pieces feed back into my work and are a secondary source of inspiration. -------------------------------------------------------------------------------------------------------------- My work has appeared in many magazines including ‘Vogue’, ‘House and Gardens’, ‘Art Review’, ‘Country Living’, ’25 Beautiful Homes’ amongst others. I have had work on film and television sets in America with Universal Studios.
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