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Printmaking, Screenprinting on Paper
Size: 32 W x 20 H x 1 D in
Ships in a Crate
372 Views
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Showed at the The Other Art Fair
Artist featured in a collection
Limited Edition of 45. Two accidents (actually misprints) created special qualities on these prints: For some reason (possibly the temperature or the wrong thinner) the overprint varnish bubbled. This gave a suggestion of texture suggesting rippled water along with the reflectiveness of the varnish. Also, the mountain areas double printed at the water’s edge (possibly, because the screen was too loose) creating the suggestion of inner torn paper and the wave’s edge. I replicated this printing effect by “inventing” the “tear reversal”, i.e. I tore a second wave’s edge and reversed the tear on itself. This is a technique used in several other prints where it allows the introduction of texture within a printed image. There is also the printing of a split fountain on the diagonal to express the phenomena that the pink of the sunset is reflected in the water. Because of the shifting split fountains and the variations inherent in tearing, there are very subtle differences between members of this edition.
1975
Screenprinting on Paper
1
32 W x 20 H x 1 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Sandy Bleifer received her B.A. in Fine Arts at U.C.L.A. in 1962 and worked as an Artist in Residence, an art teacher, docent and publisher of curriculum materials in the arts. With the support of “Space”, a seminal Los Angeles gallery under the direction of Edward Den Lau, she exhibited and sold her work from the early ‘70s through 1997. The artist's work is in over 200 private and public collections worldwide. Her personal idiom began with silkscreen, collage and an exploration of of paper: a continuing discovery into its complex nature and its ability to serve as a metaphor for the world around us. Early in her career as an exhibiting artist, social and political activism crept into the mix. Soon she began creating art installations that became a focus and galvanizing force for the reconsideration of major historical events: the Holocaust and the bombing of Hiroshima and Nagasaki. In the mid-1990s she focused her attention on a pivotal moment in Los Angeles’ contemporary history: the revitalization of downtown LA. Now in recent years, she is further imbuing her art with a pro-active agenda using interactive installations, video and community engagement with threads that can be seen in her prior aesthetic concerns – paper as a metaphor for life, environment and the human condition.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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