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Tarmac 11: Ikat Landing Print - Limited Edition of 5

Iskra Johnson

United States

Printmaking, Digital on Paper

Size: 26 W x 40 H x 0.1 D in

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$2,060

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ABOUT THE ARTWORK

Image size on paper 26x40" (includes a 2" border all around.) This piece is part of a larger series called The Tarmac Residency, which was inspired by recent travels. On this journey I spent a lot of time looking out at the landscapes of tarmac in the airports and the mesmerizing abstract crop patterns below the clouds from the air above Texas and Tennessee. As I began working with the photogaphs taken from the plane and weaving together the abstract and the real this piece began to resemble Ikat fabric, which is based on a very complex method of intersecting grids and resembles, in some ways, an analog system of pixels. This piece describes the dazzling sense of scale one feels landing and leaving in an airplane. As part of the ongoing Investigation Into the Flatness of the Earth it incorporates a horizon line which suggests, in its arc, that perhaps after all the world really is round. This image is not a reproduction of a painting, but a contemporary print created from new media: digital photography, and imaging software output to fine rag paper, canvas or other strata like aluminum or plexiglass. Sizes range from 13x20" to 26x40" in limited editions with borders of 1-3 inches all around. (Inquire for variations and pricing.) *Price listed is for paper, 26x40" including unprinted border.

DETAILS AND DIMENSIONS
Printmaking:

Digital on Paper

Artist Produced Limited Edition of:

5

Size:

26 W x 40 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Throughout my work I explore impermanence as it occurs in the urban landscape and in nature. My architectural prints and mixed media pieces focus on the radical reshaping of the built landscape through gentrification and de-industrialization. As we are confronted with change and our relationship to it, I am interested in the question of how much of the past we value and hold onto, and how much we let go to make the future our “now.” My work lives on the edge between nostalgia and accommodation, mediating through the elements of surface and iconic structure to a conversation about history, identity and sense of place. I have been a calligrapher and letter form artist for much of my professional art career, creating well known brandmarks for film, books and packaging. I have created custom typographic identities for Kitty Kelly, Clive Barker, Naomi Judd, and Anne Rice among others, and movie titling for Dreamworks and Walt Disney. As a fine artist I bring my passion for mark making and the architecture of letter forms into the abstract realm. I have a calligrapher's subtle sense of surface and texture, and incorporate calligraphic mark making into many of my pieces. I use photography, digital composition, printmaking, mixed media and collage, shifting as needed to suit my subject matter. I embrace new media and the infinite ways in which the analog and the digital can be shaken, stirred and poured into a new creative form.

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