View In A Room
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VIEW IN MY ROOM
Size: 28.5 W x 16.9 H x 0 D in
Ships in a Tube
Artist featured in a collection
Featured in the Catalog
Showed at the The Other Art Fair
Limited edition print of my original neon artwork of the same name. Prints are 2D images on paper which do not light up (if you are interested in the neon original itself, please liaise with Saatchi Art curators directly). The "stop" lettering is hand embellished by me with Diamond Dust (mimicking how the original neon flashes from "dystopia" to "stop"). Re the background text - the first line is attributed to Sartre. The rest is my own. There is a deliberate question mark in the title. In addition, I did a few different "dystopia" pieces - a different colour, and versions with more detailed and less detailed backgrounds. Though ultimately they make the same point. The collection of these different "dystopia" prints is also relevant to title of "The Illusion of Choice?". Do we really have choices or do we not? The print sizing given includes a 3cm border all the way around.
Print:Paper on Paper
Artist Produced Limited Edition of:20
Size:28.5 W x 16.9 H x 0 D in
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
"Rebecca's work is an extraordinary mix of truth and beauty; she is able to engage her audience with brutal observations about life, love, money and culture with her simple, honest and often humorous interpretation of the modern world" (Laura Lea, curator) Rebecca Mason, often working under the pseudonym "Rococo Wonderland", is an artist using light to convey the darkness within human life, existence and emotion. This is often accompanied by a dry, self-deprecating sense of humour and candid confessions aimed at recognising and accepting our imperfections. Neon, with its seedy connotations and consumerist lure, is the brush she uses to create a gritty and simultaneously delicate world. Her inspiration is drawn from the exciting, chaotic playground of the city in which she lives. The living metropolis of London, with all its fears, questions and realisations emerge in her work via a duplicity of textual phrases and fragile luminosity. The aim is to encourage the viewer to engage, share her world and illuminations as well as identify a little of themselves and their own experiences in the work. The premise for each piece of work usually begins by referencing a feeling or event in her personal life, a micro moment in her existence which is then broadened to reflect the theme on a macro, collective, basis.
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