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The Millionaire Print - Limited Edition of 1

Martyn Thompson

United Kingdom

Printmaking, Woodcut on Paper

Size: 66.9 W x 30.7 H x 1.6 D in

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Originally listed for $2,890

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ABOUT THE ARTWORK

This image is hand printed with a dojang (Korean stamp) on hanji (Korean paper) using inju (Korean printing ink). The paper is mounted on three equal sized wooden panels to be hung adjacently. Yoo Byeong-Eon was arguably the most detested person in Korea, as accusations of his greed were considered one of the main reasons for the ships instability. Yoo was the owner of the Cheonhaejin shipping company, religious leader, inventor, and a photographer known as “Ahae”. He was known as “The Millionaire with no Face” due to his lack of public appearances. As reports uncovered his past activities, including his role in a mass suicide and bankruptcy of Semo, his insatiable greed came to light and arrest warrants were issued for his person. Overlaid on to a 10,000W note, this piece connects many aspects of his life to the Sewol accident, using numerical, pictorial and symbolic references for this composite image. In place of the value of the note is the date of the accident 2014-04-16. Replacing the bill’s identification number is the GPS coordinates of the accident, and Yoo’s years of birth and death replace those of King Sejong. The pattern forming the background on the right of the piece is the chemical compound for Squalene, the organic compound Yoo made his initial fortune from, while the circle in the central left area holds his photographer’s moniker ‘Ahae’. The circles on the left-hand side have been arranged in such a way that they form the Sewol ribbon. Pictorially, the most obvious modification is that of the face. Yoo’s face replaces Sejong, while in the center of the piece, instead of the hills and mountains present on the 10,000w note, the sinking Sewol ship can be seen amongst the waves, which can also be perceived as ancient burial mounds. The leaves are from the field where Yoo’s body was found and point towards his death. The passage written behind Yoo’s face and the sinking ship are from a passage he wrote in 1991, and replace Sejong’s writing from ‘Yongbiecheonga’. The passage reads: “Falsity is beautified and blurs judgment. The suppressed truth is consoled by the conscience.” Ahae 1991.7.15 The piece is made up of various stamps with the Korean symbol ‘W’ on the green paper, both of which can be seen to entertain notions of greed. 유병언은 자신의 탐욕으로 결국 배를 위험에 빠뜨린 당사자로 지목됐고 한국에서 극도의 증오를 받게 되었다. 유씨는 청해진 해운의 소유자, 종교집단의 수장, 발명가였으며, ‘아해’라는 이름의 사진가이기도 했다. 사고 전까지 언론에 알려지지 않았던 그는 ‘얼굴 없는’ 자산가로 알려졌었다. 과거 ‘세모’의 부도와 집단 자살 사건 의혹을 둘러싼 그의 탐욕적인 행적이 밝혀지며 그와 주변 인물들에 대한 체포에 관심이 집중되었다. 만원 권에 겹쳐 만들어진 이 작품은 세월호 참사를 통해 드러난 그의 삶과 관련된 숫자와 그림 그리고 상징들로 구성되었다. 액면가를 표기하는 자리에는 사건의 날짜가 대신했고, 화폐의 고유번호는 침몰된 위치의GPS좌표로 대체되었다. 그리고 세종대왕의 출생과 서거 날짜 역시 유병언의 것으로 바뀌었다. 우측의 배경이 되는 도안은 초기 유병언에게 부를 안겨주었던 ‘스쿠알렌’의 화학 구조에서 따왔으며, 좌중앙의 원은 그의 아호였던 ‘아해’를 넣었다. 또한 왼편의 원은 세월호의 노란 리본 형태로 배열되었다. 화법상의 가장 뚜렷한 변화는 세종에서 유병언으로 바뀐 화폐의 얼굴, 그리고 원래 있던 산과 언덕들이 침몰하는 세월호와 파도로 변형된 것인데, 그 파도는 고분의 모습으로 인식될 수도 있다. 또한 실제 화폐의 울창한 나무는 그의 시신이 발견되었던 수풀로 변형되었다. 유병언의 얼굴과 침몰하는 배의 모습 뒤에 쓰여진 문장은 그가 1991년 쓴 것으로, 실제 만원권에는 ‘용비어천가’의 글귀가 적혀있었다. 그 내용은 아래와 같다. “거짓은 미화되어 판단을 흐려놓고 짓눌린 진실은 양심이 위로한다.” Ahae 1991.7.15 이 작품은 한국 화폐단위 ‘원’을 세긴 여러 도장으로 이루어졌고, 연두색 종이 위에 표현되었다. 이 둘은 탐욕에 대한 상징적 역할을 한다.

DETAILS AND DIMENSIONS
Printmaking:

Woodcut on Paper

Artist Produced Limited Edition of:

1

Size:

66.9 W x 30.7 H x 1.6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Martyn Thompson is an artist and photographer from the U.K. who established himself as an artist in Korea. After graduating from Northampton University, UK in 2007, with a degree in fine art, winning an award for his final show exhibition piece 'Moulding Myself' he moved straight to Korea. Upon graduating, Martyn pursued his personal studies of Korean video artist Baik Nam June. Producing art and finding exhibiting opportunities in a foreign country was difficult, because at the time there was little activity amongst fellow expatriate artists. A lot of perseverance was required, and after partaking in a few group exhibitions with the International Art Community, Martyn held his first white wall solo exhibition in 2011 at Gallery I in Insadong, Seoul. Despite some minor language communication problems, Martyn has continued working with the Gallery I owner, and forged a strong relationship to create more opportunities for foreign artists living in Korea. He is now considered a very reliable asset and communicative body by several galleries and foreign artists living in Korea. Martyn has exhibited extensively across the country since 2009, putting on four solo exhibitions, partaking in around twenty-five group exhibitions, and having just completed his fifth solo exhibition April 2015. In 2012, Martyn curated two exhibitions in Seoul and co-curated a further two in other cities across the peninsula as well as establishing the Professional Artist's Network Korea. PANK has now grown to include over eighty artists from fifteen different countries in just over two years, and is run by Martyn with a team of six dedicated volunteers. Martyn has curated a further seven group exhibitions, and helped a further five artists to hold solo exhibitions while continuously developing the PANK website and providing a vital resource for English speaking artists living in Korea. Martyn moved back to the U.K. in the summer of 2016 with his family and has recently begun working on a new series of images in a new style.

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