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View In My Room
Printmaking, Woodcut on Paper
Size: 35.4 W x 24.8 H x 1.2 D in
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Artist featured in a collection
As the numbers of survivors, and those missing and dead, were continuously updated and broadcast by the media, the realization that no further survivors would be found quickly became apparent. This symbol of solidarity for the families and hope that passengers would be reunited with their families would immediately have a strong impact on the nation. It spread through SNS like wildfire and was adorned by the Pope during his visit to Korea in the aftermath of the tragedy. There are 304 ribbon impressions made on the paper, with each one representing an individual life of the deceased from the ferry in a way that composes the ribbon as the over all image of the piece. 생존자와 사망자 그리고 실종자를 말하는 숫자는 훗날 추가적인 발견이 없어질 그 시점까지 끊임없이 여론을 통해 발표되고 갱신되었다. 실종된 승객이 가족의 품으로 돌아오길 함께 바란다는 의미의 이 노란 리본은 삽시간에 전국으로 퍼졌고, 강력한 상징물로 자리잡았다. 이는 SNS를 통해 거친 불길처럼 번져갔고, 당시 비극의 여진에 놓여있던 한국을 방문했던 교황까지도 이를 가슴에 달았다. 종이 위에 찍힌304개의 도장 자국 하나 하나는 사고로 희생당한 한 사람 한 사람을 대표하며, 이 도장들의 집합은 하나의 리본으로 구성된다. This image is hand printed with a dojang (Korean stamp) on hanji (Korean paper) using inju (Korean printing ink). It is mounted with white mountboard and framed with a plain black wooden frame.
2014
Woodcut on Paper
1
35.4 W x 24.8 H x 1.2 D in
Not Framed
Not applicable
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United Kingdom
Martyn Thompson is an artist and photographer from the U.K. who established himself as an artist in Korea. After graduating from Northampton University, UK in 2007, with a degree in fine art, winning an award for his final show exhibition piece 'Moulding Myself' he moved straight to Korea. Upon graduating, Martyn pursued his personal studies of Korean video artist Baik Nam June. Producing art and finding exhibiting opportunities in a foreign country was difficult, because at the time there was little activity amongst fellow expatriate artists. A lot of perseverance was required, and after partaking in a few group exhibitions with the International Art Community, Martyn held his first white wall solo exhibition in 2011 at Gallery I in Insadong, Seoul. Despite some minor language communication problems, Martyn has continued working with the Gallery I owner, and forged a strong relationship to create more opportunities for foreign artists living in Korea. He is now considered a very reliable asset and communicative body by several galleries and foreign artists living in Korea. Martyn has exhibited extensively across the country since 2009, putting on four solo exhibitions, partaking in around twenty-five group exhibitions, and having just completed his fifth solo exhibition April 2015. In 2012, Martyn curated two exhibitions in Seoul and co-curated a further two in other cities across the peninsula as well as establishing the Professional Artist's Network Korea. PANK has now grown to include over eighty artists from fifteen different countries in just over two years, and is run by Martyn with a team of six dedicated volunteers. Martyn has curated a further seven group exhibitions, and helped a further five artists to hold solo exhibitions while continuously developing the PANK website and providing a vital resource for English speaking artists living in Korea. Martyn moved back to the U.K. in the summer of 2016 with his family and has recently begun working on a new series of images in a new style.
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