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Turbulence X Print - Limited Edition of 8

NIGEL MORRIS

United Kingdom

Printmaking, Linocuts on Paper

Size: 15.7 W x 11.8 H x 0.4 D in

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$515USD

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About The Artwork

Image size 40 x 30 Paper size 57 x 46 Hand printed relief print on fine art paper. As with all the work made the application and experimentation with line as mark making is even dent in this work. The construction of grids and geometric forms interact within the artwork.

Details & Dimensions

Printmaking:Linocuts on Paper

Artist Produced Limited Edition of:8

Size:15.7 W x 11.8 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Nigel is a visual artist working in North Wales in the UK making paintings and prints. His work evolves from the perception of abstraction, symmetry, system, and organisation, while working with these parameters it is a continual challenge to break away from these configurations. The practice and process of making visual art is for Nigel an immersive act prompting questions, conclusions and development generating more analysis of the same it’s an organic cycle of progression. Working in this way the product is never static, a question or idea is posed, and the practice engages this and work comes out of that equation. This means the practice works with a basic range of “tools” but the formula changes resulting in variables of the art made. In recent years the work has returned to the proposition of mark making and his own interpretation of this fundamental act. For Nigel the primary source of the mark is line, using the “tools” perceived in the practice a re-examination of the nucleus of making art is taking place. We are all influenced by personal experiences and for the past 6 years Nigel’s role as facilitator at The Regional Print Centre moved the practice toward printmaking, the experience of teaching printmaking allowed for experimentation with many techniques, the work currently is dictated by the relief technique and an examination of the print as a framed artefact. 2022 sees a re-emergence of painting, particularly using watercolours something not used for over 15 years, these works are clearly exploring the qualities of the media not attainable using print. Throughout the time spent making these art work the viewer has always been an important element of the work as artist makes a visual image the contribution the viewer brings to the experience is imperative the maker is not required to tell the audience what to see or read in the art made each perception is different.

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