33 Views
4
View In My Room
Printmaking, Screenprinting on Paper
Size: 31.5 W x 23 H x 0.1 D in
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33 Views
4
Featured in the Catalog
Featured in Inside The Studio
Artist featured in a collection
Traditionally made original handmade silkscreen print in fourteen pretty colours, all printed by hand separately. ~ From a small edition of 10. 2024 ~ signed, titled and dated in pencil on the front. Paper size – 80 x 63cm image size – 66 x 50cm *Other prints shown in the series are available to buy separately* The nature table has been part of my life since childhood. Leaves, acorns, seed heads, petals, shells and feathers all found, saved and treasured. Displaying objects and spending time arranging them carefully on a table top. In primary school it was a trip down Pilling Lane, and finding my first oak apple that got me hooked. Through the years, I had continued to collect and keep anything interesting on walks. I love riversides and beaches, but living nowhere near one I tend to pick up leaves and seeds. My new body of work (more coming), brings out the essence of the nature table, where earthy forms and pretty pastels sit on simple table tops and cloths. A focus on simple forms, considered composition and a limited colour palette Any questions about this or other images, I’d be happy to help.
2024
Screenprinting on Paper
10
31.5 W x 23 H x 0.1 D in
Not Framed
No
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United Kingdom
Emma Lawrenson ARE (British printmaker.) 1973 My passion for printmaking began in 1991.Several years later I was lucky enough to study for an M.A at the Royal College of Art, which was an experience that has shaped my life ever since. I work from my Yorkshire countryside studio, where I endeavour to create thoughtful and harmonious pieces (some geometrical, others more fluid, tactile and organic) with a carefully considered approach to form and space. I approach printmaking as a recording process of ideas, feelings and moments in time; where inspiration is gathered from the changing seasons and fabric of the landscape. I try to preserve these moments and memories through layering and hand-drawn marks, with interactions of subtle colour. I see colour as the poetic language that binds it all together and I work with it intuitively to create ‘quiet’ prints with a feeling of calm. I begin each print by hand-drawing every stencil. The drawings themselves are relatively simple in structure and execution. However it is the whole process of building up the prints, little by little, layer by layer that fascinates me. The formal qualities of printmaking and engagement with the process is what holds the beauty and soul of a finished piece. Some prints are worked into afterwards with pencils or conté crayons. I enjoy making smaller prints that act as a visual diary or ‘sketchbook’ of ideas on old pages, printed spontaneously alongside making works on paper. This process attempts to invite unknowns. It’s more organic, and ‘records’ a specific time where the work is made by chance. These pieces feed back into my work and are a secondary source of inspiration. -------------------------------------------------------------------------------------------------------------- My work has appeared in many magazines including ‘Vogue’, ‘House and Gardens’, ‘Art Review’, ‘Country Living’, ’25 Beautiful Homes’ amongst others. I have had work on film and television sets in America with Universal Studios.
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Featured in Saatchi Art's curated series, Inside The Studio
Artist featured by Saatchi Art in a collection
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