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CORNELIUS MANIFESTO THE SPACE AND THE OBJECTS Space is the medium where objects, corporeal, incorporeal or inapprehensible, are located. Corporeal objects alter the perception of space. Objects become apparent by their influence over other objects. The relations of influence between objects make up a universe. THE PERCEPTION AND THE RITE Social conventionalisms, learned signs and prejudices are the primary influence on the perception of the art pieces, even if artistic quality is taken into account - or is not. The association of forms and objects to topological and Euclidean frameworks, the imitation, the identification, the model: it all alters the perception. Reality and imaginary elements cannot be told apart. So then let us change the experience of space. Let us look for the alter ego, the subconscious mind, the non-social personality. The intuition and the experiment mentioned by Hilbert. The circumstance. THE LANGUAGE. THE COMMUNICATION. The Archetype has to be present in every artistic work, prevailing over other artistic manifestations by the means of a coherent system, of a language able to motivate and stimulate. This language triggers emotions and is not characteristic of a group, but it becomes its own language through emotional intelligence. Doubt and error as elements of progress. Contradiction, contraposition and experimentation. Eastern World and Western World. Interior and exterior. Horizontal and vertical. The unconscious memory. Chaotic order. Multiplicity. Substance. Self-knowledge and empathy. Light and matter. Non-Euclidean geometry. The event. The time and the static. THERE ARE NO OBJECTS IN THE CORNELIUS SPACE THERE IS ONLY THE ARQUITECTURE THAT CONNECTS THEM Cornelius Freelance architect, designer and sculptor