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"10,000 men" Sculpture

Jamie Andrews

United Kingdom

Sculpture, Plastic

Size: 24 W x 43 H x 8 D in

This artwork is not for sale.

1025 Views

1

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

10,000 men is a sculpture based on the old nursery rhyme The Grand Old Duke of York. 7 years in the making, it is exactly 10,000 toy soldiers painstakingly applied one soldier to another by dipping them in an acrylic blood pigment and then placing them together to slowly form a shape like a termite ...

Year Created:

2016

Subject:
Method:

Sculpture, Plastic

Rarity:

One-of-a-kind Artwork

Size:

24 W x 43 H x 8 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Need more information?

Need more information?

Jamie Andrews was born on the edge of Dartmoor, Devon. His inspiration to become an artist stems from his father, a dealer of art and antiques in the 1960s. Who encouraged him to playfully draw and look imaginatively at life, opening a world of visual communication and imagination. Moving from his beloved Dartmoor to the small Cornish town of Looe in 1976 at 14 years old was not a happy one, with a sudden realisation of growing up. Punk rock music and the attitude of no future dominated his mid-teens, creating a long-lasting rebellious streak. He defies limits and expectations, enjoying poking fun at more traditional methods of creating art. Working with a childlike playfulness and naivety with the introduction of toys and charms, often vintage, highly collectable pieces which the artist works into his acrylic paintings and sculptures as a means of playing with the idea of and subverting value. J’s vivid, tactile works bind a jovial, playfulness and innocence with much deeper messages, often darkly humorous accounts of politics, religion and the troubling events of contemporary society. Throughout the matter-of-fact and satirical documentation of worldly matters, J maintains a deeply rooted sense of compassion for his fellow man and the environment. His work is bound up in the essence of lost innocence, cleverly captured with a delicate balance between a bold display of raw tragedy with a nostalgic easiness and empathy.

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