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Abstract Sculpture, Wood Gnarl Sculpture Made from Old Oak Driftwood, Natural Wooden Gift Sculpture

Sergey Zhitelev

Ukraine

Sculpture, Wood

Size: 6.7 W x 6.3 H x 8.7 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Эта скульптура сделана из нароста на старом дубе. Когда-то это дерево отжило свой срок и прошли десятки лет. Природные циклы год за годом делали свое дело. Этот нарост высох, очень необычно потрескался и укрепился. Его форма и оригинальный рисунок трещин подсказали мне его образ. Когда я закончил ра...

Year Created:

2021

Subject:
Method:
Method:

Sculpture, Wood

Rarity:

One-of-a-kind Artwork

Size:

6.7 W x 6.3 H x 8.7 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Ukraine.

Customs:

Shipments from Ukraine may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

The sensation of the beauty of natural forms was accumulated at the genetic level. I have similar feelings about the world in which we live now. That's why I work with natural materials, in particular with wood in combination with a horn and a bone. I always liked the plasticity of trees, especially the plasticity of the roots. This is the part that is hidden from the human eye. This is a mystery that can be seen only when the root is revealed. It is a work of art itself, and if you correctly perceive the movement and mysticism of the image, you can get a masterpiece. You be the judge how much it reflects the reality. I’m just trying to improve as much as possible the object of my craft. I do not feel lonely in my creative process, there are always invisible spiritual assistants around. And when I achieve something interesting with their help I’m very grateful. I always want to make things look like nothing else, unique. I do not really like it when everything is simple and ordinary in sculpture. When I work I try to forget about my surroundings, sometimes turn off the brain and let my intuition lead me. When it works and the sculpture is born - I feel that my life has been worth living, and I’m grateful to the Creator that I feel a connection with the past.

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