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Animanimusmundus Sculpture

Claudia von BOCH

Switzerland

Sculpture, Ceramic on Ceramic

Size: 55.1 W x 86.6 H x 55.1 D in

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$80,000

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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By recuperating clays, engobes and glazes I reproduce the geological strata found in mountains, rocks and minerals. These are transformed by the action of time, erosion, pressure and heat. This source of inspiration is found in my sculptures, which themselves become geological frescoes, reproduction...

Year Created:

2022

Subject:
Medium:

Sculpture, Ceramic on Ceramic

Rarity:

One-of-a-kind Artwork

Size:

55.1 W x 86.6 H x 55.1 D in

Ready to Hang:

Not Applicable

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

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Need more information?

Born in Canada in 1957, I grew up in Argentina. As far as I can remember, I have always been making things with my hands. Combined with the fact that my family has been in industrial ceramics (Villeroy&Boch) since eight generations, falling into clay at the age of 10 can be considered a natural choice of media. First as a hobby, and later as autodidact, I followed ceramic courses, learning technology and wheel throwing. In 1990 I moved to Switzerland and became a professional ceramicist after 5 years of ceramic art school. For 25 years I divided my time between teaching ceramics and exhibiting my sculptures in Switzerland, France, Germany, Luxembourg, Italy, Croatia and Canada. In 2017 I moved my studio to the Piemonte in Northern Italy where I spend a good part of the year. The geological construction of mountains and rocks contain the story of our terrestrial world. They are transformed through time, erosion, pressure and heat. Inspired by this process, I make my own clay by accumulating and layering different clays, porcelains, stonewares, coloured engobes and glazes. My sculptures become mini geological frescoes reproducing in a shortened time the same processes of fusion, colouring, deformation, cracking and melting. The strata are like a skin where layer upon layer the stages of time and life are conserved. They form a whole that reflects my concern to place man in context with the geological world in an inseparable and fragile equilibrium.

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