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This sculpture suggests a figure in limbo or suspended animation, like a nomad belonging to neither the past nor future but rather existing in a fluid state.

The ceramic figure is wrapped in fabric which is then treated with a resin iron/copper mix. The cocoon like binding of the figures, along with their closed eyes and introspective expressions suggest a state of concealment and protection but also the possibility of their transformation and metamophosis.
This sculpture suggests a figure in limbo or suspended animation, like a nomad belonging to neither the past nor future but rather existing in a fluid state.

The ceramic figure is wrapped in fabric which is then treated with a resin iron/copper mix. The cocoon like binding of the figures, along with their closed eyes and introspective expressions suggest a state of concealment and protection but also the possibility of their transformation and metamophosis.
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Away From the Noise Sculpture

Liam Hennessy

United Kingdom

Sculpture, Ceramic on Ceramic

Size: 7.9 W x 24.4 H x 7.9 D in

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SOLD
Originally listed for $640
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60 Views
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About The Artwork

This sculpture suggests a figure in limbo or suspended animation, like a nomad belonging to neither the past nor future but rather existing in a fluid state. The ceramic figure is wrapped in fabric which is then treated with a resin iron/copper mix. The cocoon like binding of the figures, along with their closed eyes and introspective expressions suggest a state of concealment and protection but also the possibility of their transformation and metamophosis.

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:7.9 W x 24.4 H x 7.9 D in

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Born 1981 in Suffolk, England. Currently based at Cuckoo farm studios, Colchester. I am instinctively drawn to abstraction in art because of the freedom it implies, and my work is influenced in particular by the formal experimentation of 20th century abstract painting and sculpture. The use of repeated motifs and a multi layered, modular approach to image making create a sense of narrative within the work. I tend to work intuitively without a clear idea of where each piece will end, preferring to let the process itself direct the finished form of the work.

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