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Sculpture, 3d Sculpting of Wood
Size: 1.8 W x 38.2 H x 1.8 D in
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The art is inspired by African art. Its is a hand craved rod one of a kind its craved from the strongest wood available it's one of a kind and durable
2023
Sculpture, 3d Sculpting of Wood
One-of-a-kind Artwork
1.8 W x 38.2 H x 1.8 D in
No
Not applicable
Certificate is Included
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Zimbabwe.
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Zimbabwe
My name is Isabella Sibanda, and I was born in 1978 in a small village on the outskirts of KwaZulu-Natal, South Africa. My childhood was steeped in the rich tapestry of African culture, woven together by the stories of my ancestors. My grandparents were the pillars of my upbringing, instilling in me a profound appreciation for our heritage. They were not merely caretakers but my first teachers, guiding me through the vibrant world of traditional African art. From a young age, I was captivated by the natural beauty surrounding me. The lush green fields, vibrant textiles, and intricate patterns of batik told tales of history and resilience. My grandmother was a master potter, and I would sit beside her, watching as she skillfully molded clay into vessels that came alive under her fingers. Each pot was more than a functional item; it was a work of art, embodying our people's stories, beliefs, and aspirations. I absorbed her teachings and listened intently to the significance of each piece, feeling the heartbeat of my ancestors in every curve and indentation. My grandfather was a gifted woodcarver. His workshop was a sanctuary of tools and shavings, the air filled with the scent of cedar and mahogany. I often gathered fallen branches to help him create the tools he needed. In his workshop, I learned age-old techniques passed down through generations. Each carving he created—whether a mask, figurine, or ceremonial staff—reflected our rich cultural heritage, filled with symbolism and meaning. He taught me to let the wood speak, to understand its grain and texture, and to honor its essence. At ten, I crafted my first piece of pottery—a simple bowl adorned with tribal patterns my grandmother taught me. As I shaped the clay, I felt a connection to my culture and the continuity of artistic expression that linked me to generations past. The bowl became a symbol of my emerging identity as an artist, a vessel holding the weight of my heritage. When my grandmother declared it ready for firing, I felt a wave of pride, realizing I could express my love for Africa and its profound stories through art. As I grew older, my passion for wood carving and pottery intensified. In my teens, I began participating in local craft fairs, where my creations were met with admiration. I soon understood my responsibility as an artist: to preserve our narratives and showcase the beauty of our roots.
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