Coast of Sicily n. 4 Sculpture

I love experimenting with new techniques, with different overlays, transforming materials into new pictorial effects and textures that recall emotions, movement, but also simply the environment that surrounds us. Often my surfaces are structured and rough made with resins, gypsum, sand, raw cellulose and pure powder pigments that allow me to immediately obtain volume by canceling the boundary between painting and sculpture by expressing my fantasies, non-existent landscapes. I often introduce geometric shapes, start from the single rigorous element and then twist it, create cracks, scratches and fractures that recall the traces of the past and enhance them with gold or silver to emphasize their preciousness.