Couple Talking (pair) Sculpture - Limited Edition of 3

David Seeger. CV Leeds College of Art 1955-1961 NDD Special subjects, Sculpture and Pottery. Post Graduate year Sculpture. Sculptors assistant, to Hubert Dalwood 1961-1964 Appointed Lecturer in Fine Art, Leeds College of Art 1962 Promoted Senior Lecturer in Fine Art,1966. Visiting Lecturer , various Colleges including Royal College of Art, Edinburgh College of Art, Cardiff College of Art, Harrogate School of Art. Qualification, Transpersonal psychology/ Counselling 1984 MA Birmingham polytechnic !986-1990 Took early retirement in 1988. Moved to Ireland 1990. Resident in West Cork. Commissions include, Municiple sculpture in concrete for Seacroft centre, Leeds City. Private sculpture mural, Badsworth, Yorkshire. Various ceramic tiled murals. Awards Yorkshire Arts Association 1979 Works in public collections include: Portsmouth City Museum Southampton City Art Gallery The Provident Financial Group, Bradford Leeds Corporation Leeds City Education Department The Bramah Tea and Coffee Museum, Tower Hill, London. (now closed) Represented in numerous private collections in Ireland, the UK, Italy, France, Germany, America, Canada, Australia, Norway. Thesis, “IMAGE AND MYTH OF CREATION IN THE WORK OF MARC CHAGALL” 1990 David Seeger He was born in Bradford. He has become well known for his ceramics, having been introduced as a little lad to the medium in the mid Forties by being taken by his grandmother to see traditional country potter Isaac Button at Soil Hill Pottery, Denholm, near Halifax, fortified by further trips there with school. In 1955 he went to Leeds College of Art, and was privileged to be selected as one of a dozen students to participate from the start in Harry Thubron’s experimental introduction of twentieth century art into fine art education. Thubron appointed him to the teaching team in 1964. He contributed to the spectacular upsurge in creative revolution that took place in the Leeds Fine Art course; his expertise was centred in the ceramics studios, where the new, unconventional attitude expanded the many exciting new ways of making art in fired clay. He took early retirement from teaching in 1988 and moved to West Cork in 1990 where he continues making sculpture and pottery as well as painting and drawing. He is a member of Society of Cork Potters.