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Eco di montagna Sculpture

Andrea Borga

Italy

Sculpture, Metal on Iron

Size: 59 W x 23.6 H x 6.7 D in

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About The Artwork

"Mountain Eco" is an allegory of the historical-climatic situation that our peaks, and our planet in general, are going through. In the background the Brenta Dolomites rise up, in order from left to right: Campanile Alto, I Tre Sfulmini, Torre di Brenta, Cima degli Armi and Cima Molveno. In the foreground is Echo, a mountain nymph from Greek mythology. The mountains, made of centuries-old larch wood, were charred in a fire, and the ice at their feet is represented by the material corrosion of the iron in prolonged contact with heat. The call that the Greek nymph emits, consequently, is no longer a gentle mountain echo, but a cry of suffering. The work became part of the works exhibited at the Palazzo della Regione in Trento, during the Trentino film festival.

Details & Dimensions

Sculpture:Metal on Iron

Original:One-of-a-kind Artwork

Size:59 W x 23.6 H x 6.7 D in

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Andrea was born in Trento (Italy), on October 1, 1985. He is an Italian artist who lives and works in Coredo, a small tourist locality in the Dolomites of northern Italy. Self-taught metal sculptor, he began to work at the age of 17 in the metalworking sector with various artisans in the area, where he deepened different working techniques such as welding, forging, burnishing. It is however in the intimacy of his workshop that he began to approach sculpture and define his own artistic identity, giving life to his first works inspired by natural subjects, of which his mountains are rich: plants, flowers, animals. The passion for metals combined with the refinement of the technique led him to explore new approaches aimed at studying the human form, in particular the creation of female nudes. A theme that is currently very dear to the artist. His sculptures are mainly made of iron, stainless steel and weathering steel, combining materials such as wood, stone and concrete. His works are the expression of the natural chrome plating of metals that derive directly from the processing techniques, without any subsequent addition of paint or color, which in the artist's opinion would thus compromise their uniqueness.

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