VIEW IN MY ROOM
Italy
Sculpture, Clay on Ceramic
Size: 17.7 W x 15 H x 11.8 D in
Ships in a Crate
“Nothing to celebrate ... From a sordid extract of Human Condition, the head like a slit exposes us to a “spectrum”, it trim these men of power. The Bust, all of it, linked to the tradition of the art of portraiture, does not ignore the major function, of expressing the nuances of the moods, which in a master way, gains notoriety, as it forges, in the muscles the possibility of participating in the external life with others: "... this muscular tension, carefully modeled," in the "technical" manner of a virtuoso, as if to prove a pseudo good intention " However, the noise of this piece resides and reveals that not a head is, but rather, the possession of the form from the clay .; what matters is less the form, less the invoice, less the materiality, all of which are subordinated to the miserable intensity of revealing oneself, approaching an orgasmic and obscene shamelessness, which transpires in the clearly abject and transgressive conduct of lowering the mask ... of the masks; “... muscle retention that includes tension and energy, in contrast to the toothless gum, in which the loss of the only apparent bone structure of the body is noted, and where, we are seen to soften the figure - a contrast between tension and drain- “ Only babies and old people - the toothless - the mouth is so natural In this case, there are no babies or old people, there is a smile from a harlot, a servant from the worst of all worlds, ... ” Psychologically and permanently childish, finally, the mask connects this “umbralino” with our world, it is the only “thing” in this world, like a lowered panties, it reveals itself not as a mask; “... it has the crown ... but how can a king live there? Sign of nobility, in the possible human realization ... maybe a fool, a jester, unfortunate and depressing " Strangely, in the post-mask look, the echo of a similar statuary is exposed, perfectly seated at the beginning of the elaboration of what would become the celebrated Modernity {smile of Voltaire's reason} which proved hopeless as well translated Walter Benjamin.
Sculpture:Clay on Ceramic
Original:One-of-a-kind Artwork
Size:17.7 W x 15 H x 11.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Italy
Born in Brasil in 1979- At the age of sixteen, goes to California to do a Foreign Schange Student year to swin and finish the high school in the United States where discovered the importance of art in life. Due to swimming and determination, at the end of high school, wins a Medicine Scholarship at Hayward University. In love with art, decides not to return to the USA and goes to the Faculty of Fine Arts of Sao Paulo. During the studies draws attention for her ideas and techniques, wins some awards and makes some exhibitions in Sao Paulo. Worked for three years in the Senac's project through the plastic arts and collaborated with projects in Mam. Her projects portray the underground world, drugs abuses, prostitution, drag queens, oppression and despair. After meeting a Brazilian designer, he convinces her to go to Paris to be his assistant at one of the most famous fairs called "Why Not" and then to graduate from the London fashion sector. Decides not to do it and to leave London due to the irregularity of her life, goes for a walk in Europe, when in Milan, takes a visual merchandising course and meets an Italian who has a son. Always working on personal arts projects, in parallel, does differents works in the fashion and entertainment sector and in 2010 concludes an intensive cinema's course with an actor and director Michael Rodgers and moves back to Brazil where she works as an actress for four years. In 2011 decides to make six months traveling with her childs and her husband to Australia, Indonesia, malaysia and singapore and return to Brazil pregnant in 2012. Tries to work as an actress, but Art never leaves her and tries to do some projects. Knows Saatchi art Galery in 2012 but has no time to concentrate, in 2015 returns to Italy and stays in the middle of the farm for four years painting and drawing, but still can't make it happen. in 2017 starts painting again in 2018 finish some paintings but works on different projects In 2019, moves to Milan, makes the studio, enrolled at the Brera's Academy to finally finish his specialization in sculpture, and fortunately managed to keep up with what she always wanted in life, Art. Less
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