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Fuck You Very Much - Charity Box Sculpture

Kerry Samantha Boyes

United Kingdom

Sculpture, Other

Size: 46 W x 45 H x 36 D in

Ships in a Crate

This artwork is not for sale.

250 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This doll is hand-cast in Jesmonite AC100 with a fully functional colon coin slot to the rear. The base is hollow and made from timber with a padlocked door to the side to access the coins. This charity box was modelled exactly on a traditional blow-up doll and sculpted in traditional mould & cast...

Year Created:

2017

Subject:
Method:

Sculpture, Other

Rarity:

One-of-a-kind Artwork

Size:

46 W x 45 H x 36 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Kerry Samantha lives in the Scottish Artists' Town of Kirkcudbright where she works producing museum facsimiles, fake food and exhibits within contemporary art. Primarily a sculptor; practised in traditional sculptural techniques including taxidermy, casting, carving and modelling as well as woodwork, stone carving, embroidery, drawing, collage, photography, film and installation. She articulates her concerns with food consumption by subverting food presentation - highlighting the uneasy feelings at deriving aesthetic pleasure from others' extinction, the plunder of other cultures/species, where unbelievable reality abruptly forces one to reassess what is true. When food is generally considered a comfort, these pieces seek to draw the viewer in and elicit discomfort. Questioning extinction, gluttony, animal agriculture, obesity, starvation, mass production, fast food, GM food, processed food and fashions in molecular gastronomy.

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