Giuseppealiaslucia Sculpture

Pierfabrizio Paradiso


Sculpture, Cage on Other

Size: 39.4 W x 27.6 H x 19.7 D in

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About The Artwork

Sculpture Mixed Media (Cage for Nightingales, Book, silver cotton lace, silver glitter powder) One piece Scenario element of the Performance "Ascoltare ed Ascoltarsi, così un monologo può assumere l’impronta di un colloquio e l’alter ego è l’io sepolto che affiora aggredito dai ricordi che però non riescono ad annullare il suo grido."Pierfabrizio Paradiso introduce “Il Limo di Eva” di Anna Vincitorio (en. Listen to someone and listen to yourself, so a monlogue could be assumed as a convesation and the alter ego is the concealed I, who filters throuhg as assaulted by the memory, which can’t block its cry. Pierfabrizio Paradiso introduces “Il Limo di Eva” by Anna Vincitorio.)

Details & Dimensions

Sculpture:Cage on Other

Original:One-of-a-kind Artwork

Size:39.4 W x 27.6 H x 19.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist and Performer, he lives and works between Milan and Berlin. He has been performer for artists such as Lothar Hempel (Giò Marconi, Milan), Ei Arakawa (Artissima17, Sec. "The Dancers") and now for the company Signa (Copenhagen/Volksbühne, Berlin) He attended the Academy of Fine Arts of Brera and he got an MA in Visual Arts and Curatorial Studies in Naba; he has been Tutor for Projects for the department of Visual Arts. He took part also as professor's partner in activities and classes for Fenomenology of Comparative Arts in master of Light and Landscape Design within the Academy and for the class of Last Tendencies in Visual Arts with Art curator Marcella Anglani. He has been coordinator project and belongs to Trama21 - Research Group for Contemporary Art. He took part at the 12° International Architecture Exhibition - La Biennale di Venezia with Maria Papadimitriou in the the project "awaytogrow" inside the National Pavilion of Greece. The aim of his research is to enact the everyday as something unexpected, reconsidering the blank as a space of possibility for a common construction of a new Imagery, where no artists and no spectators are called to play defined roles but everything happens as an Exchange.

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