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This sculpture is inspired by the idea of the modern man, who is suffering and questioning his place in the world in the chaos that is change, and who seeks the simplicity of times in
the past. It is a self portrait of life in today’s world, where the use of batik fabric as a skin to the body symbolizes how we are drawn to seek refuge in culture and tradition, the only
constant factor in a world of change. Culture and tradition stays with us forever, and as we revert into this part of ourselves like The Hermit, it highlights how they are a definite part of who we are as individuals.
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Hermit Sculpture

Rashid Salleh

Singapore

Sculpture, Paper Clay on Aluminium

Size: 5.9 W x 26.4 H x 3.6 D in

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About The Artwork

This sculpture is inspired by the idea of the modern man, who is suffering and questioning his place in the world in the chaos that is change, and who seeks the simplicity of times in the past. It is a self portrait of life in today’s world, where the use of batik fabric as a skin to the body symbolizes how we are drawn to seek refuge in culture and tradition, the only constant factor in a world of change. Culture and tradition stays with us forever, and as we revert into this part of ourselves like The Hermit, it highlights how they are a definite part of who we are as individuals.

Details & Dimensions

Sculpture:Paper Clay on Aluminium

Original:One-of-a-kind Artwork

Size:5.9 W x 26.4 H x 3.6 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Rashid Salleh is a visual artist of Javanese and Indian heritage, born and bred in Singapore. He was raised in a traditional Javanese family where he was taught that culture is the pillar of one’s being. As he grew to acquaint himself with the study of art, he began to be influenced by the eccentricities of Dali and Caravaggio, whom he first came across in a local library in his youth. Rashid’s artwork is derived from the desire to explore the intricacies of the human condition, through juxtapositions of the physical and the metaphysical, and the traditional and the modern. He typically works with acrylic, and more recently “batik”, a fabric heavily associated with Javanese culture. In all of his works, he expresses a passionate desire to deviate from tradition, yet retains ideals of his culture at the same time, albeit in a distorted and fresh, modern light.

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