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I'm intrigued by different forms of intelligence, including aesthetic. The winged image is from the gardens of Versailles and shows up in a series of work in paper and tin-glazed terracotta. Language is important to me and is often present as part of the composition. I collect 18th century font styles for inspiration. 100% silk ribbon.
I'm intrigued by different forms of intelligence, including aesthetic. The winged image is from the gardens of Versailles and shows up in a series of work in paper and tin-glazed terracotta. Language is important to me and is often present as part of the composition. I collect 18th century font styles for inspiration. 100% silk ribbon.
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Terrell Lozada

France

Sculpture

Size: 17.2 W x 11.7 H x 8.7 D in

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About The Artwork

I'm intrigued by different forms of intelligence, including aesthetic. The winged image is from the gardens of Versailles and shows up in a series of work in paper and tin-glazed terracotta. Language is important to me and is often present as part of the composition. I collect 18th century font styles for inspiration. 100% silk ribbon.

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:17.2 W x 11.7 H x 8.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

American living in Paris working on a project to introduce tin-glazed terracotta as a valuable medium for painters. The central theme of my work is exploring the similarities of being seated within the metaphysical space of the body and of being inside the physical space of architecture. My fascination with physical and perceptive spaces began while growing up in Italy and playing in Palladio’s Teatro Olimipico, and continues today in my exploration of the particular silence that can only be experienced within one’s heart. I am a painter and sculptor, and am currently combining the two disciplines by working in maiolica (tin-glazed earthenware). My work has been exhibited in galleries and cultural centers, including the Seattle Art Museum Gallery, the American Institute of Architects, Port Angeles Fine Art Center; Spokane Arts Commission Chase Gallery, the Center for Contemporary Art and the Pratt Fine Arts Center in Seattle, Washington. I was a recipient of a grant from WESTAF and completed The Artist Trust’s EDGE program.

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