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Installation view (with "Intersecting Forms III")

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Intersecting Forms II Sculpture

Philip Cope

United Kingdom

Sculpture, Wood on Wood

Size: 8 W x 6 H x 3.5 D in

Ships in a Box

SOLD
Originally listed for $470

83 Views

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ABOUT THE ARTWORK

This sculpture is one of a series exploring ideas of interconnected-ness. Although abstract, it can be seen as depicting a relationship between two entities, human or otherwise. This carving is finished with a combination of finely sanded portions (the top carved section) and the gouge marks (small facets) on the base. The wood is treated with a beeswax/turpentine finish for protection, giving the carving a subtle sheen.

DETAILS AND DIMENSIONS
Sculpture:

Wood on Wood

Original:

One-of-a-kind Artwork

Size:

8 W x 6 H x 3.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Phil Cope is a sculptor living and working in Cambridge, UK. He produces sculptural pieces that are predominantly abstract, however they often take inspiration from the human form and life drawing forms an important part of his process. He takes a modernist approach to design and Henry Moore and Barbara Hepworth are significant influences on his work. He works on a small scale, producing pieces that are intended for domestic spaces. In May 2022, Phil was accepted as a member of ArtCan In April 2022, Phil was accepted as a member of Cambridge Drawing Society In November 2021, Phil’s piece 2020/11 was awarded the regional prize for East Anglia at the ING Discerning Eye exhibition, at the Mall Galleries in Central London. “I am an artist primarily making three dimensional artworks. My work is predominantly abstract and is often inspired by the human form. I like to think of it as hovering at the bounds of representation. I use a number of sources for inspiration, including life drawing, and I am currently interested in figures in motion, in particular dancing; there is a joyous exuberance to being present in a dance studio, and I hope my drawn response with its gestural quality and chance effects reflects this and I am keen to echo this in the sculptural forms I make. Coming from a history of pure carving of wood, I now work with a variety of materials and techniques, including wood, stone, slate and plaster. I often combine carved components into an assemblage, enjoying the juxtaposition of a variety of textures and colours in the work. Many of the materials I use come with a pre-existing patina and I enjoy the challenge of incorporating this into the final piece. I use traditional hand held tools when I can, enjoying the tactile nature of the physical process. I take into consideration the ability of tools to make marks on the substrate and these can also be incorporated into the final piece. “

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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