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Iron Cells Sculpture

Michael Tauschinger-Dempsey

United States

Sculpture, Metal on Iron

Size: 2 W x 3.9 H x 0.8 D in

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About The Artwork

My focus on weaponized technology has inspired me to develop my own weapon systems, thereby mimicking and recreating the aesthetics of the arms fetish that is uniquely popular (and stringently protected) only in the United States. U.S. Americans have a very distinctive relationship to weapons, no doubt owing to its rebellious explorer history and the right to keep and bear arms clause included in the original Bill of Rights and later added as a Constitutional Amendment. I was also influenced by the aesthetics of ‘homemade’ weapons confiscated in prisons, which demonstrates that the U.S. society is thoroughly and significantly weaponized from top to bottom. The unprecedented frequency of office, casual domestic, drive-by and school shootings prove this point.

Details & Dimensions

Sculpture:Metal on Iron

Original:One-of-a-kind Artwork

Size:2 W x 3.9 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Tauschinger-Dempsey is a research-based artist working at the intersection of visual culture studies, anthropology, and social studies. His current art practice investigates formulaic “western” life styles and military managerial models, including surveillance, terrorism, corporatism, suspicion, and technology. Recent works include experimentation with interactive robots (TRASHBOT), media and photographic installations on collateral damage in the War on Terror (Suspensions), and multimedia collage connecting ancient and modern time and space (The Great Ziggurat of Ur and Google’s Quest for the Book of Sand). He has also been published in Media Fields Journal (2014). Prior to that, Tauschinger-Dempsey completed an interdisciplinary MFA in sculpture and architecture at the Academy of Arts Düsseldorf, Germany and an MFA in Digital Media at the Rhode Island School of Design in Providence, RI. His work has been displayed across the United States and has been recently acquired by the Duke Kenan Institute for Ethics and the Granoff Center for the Creative Arts at Brown University.

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