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Lacuna Sculpture

Andrew Temple Smith

United Kingdom

Sculpture, Ceramic

Size: 15 W x 5.5 H x 15 D in

Ships in a Box

This artwork is not for sale.

33 Views

1

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This piece is part of my Lacuna series, works with biomorphic forms. The opening in the centre references the ceramic history of container and vessel, while its gently rounded asymmetry links the piece to natural processes, either geological such as smoothed pebbles or perhaps simple organic forms. ...

Year Created:

2020

Subject:
Method:

Sculpture, Ceramic

Rarity:

One-of-a-kind Artwork

Size:

15 W x 5.5 H x 15 D in

Ready to Hang:

Not Applicable

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Andrew creates minimalist ceramic forms using porcelain and high fired stoneware. He employs a colour palette from pure white through to vivid primary colours. He enjoys both the technical challenge of ceramics and the tactile quality of the finished surface. Andrew’s work is divided into a number of different series which vary from forms made on the wheel which reference traditional pottery to abstract sculptural pieces. Some are intended as large single pieces while others form groups of related objects where no two are alike. Evidence of process is an important consideration and the memory of the hand is still visible in the final works and is a vital part of their nature. Working with the minimal use of tools allows Andrew to investigate the balance between control and the element of chance and how these seemingly opposite qualities can be combined in a complementary way.

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