VIEW IN MY ROOM
United Kingdom
Sculpture, Bronze on Bronze
Size: 10.2 W x 26 H x 3.9 D in
Ships in a Crate
Shipping included
Artist Recognition
Artist featured in a collection
Lost in a moment is made to order. Please allow at least 12 weeks production time. The illustrations and graphic work of Alphonse Mucha were the main inspiration behind ‘Lost in a moment’. I knew I wanted to create a dancing female figure, that was suspended in the air. I also knew that I wanted her to be dressed in the same style of dress that Mucha used in ’The Arts’ series of posters. The figure needed to look urethral and fluid, so the art nouveau style played a major role in helping me to achieve this, with a sinuous pattern of swirls on the lower part of the dress and tendril-like folds flowing down from the upper part. The figure herself is suspended in a moment in time, by the stylised bottom of the dress. I chose to have her eyes closed to suggest a sense of being completely immersed in the moment and of being oblivious to everything around her.
Sculpture:Bronze on Bronze
Artist Produced Limited Edition of:24
Size:10.2 W x 26 H x 3.9 D in
Frame:Not applicable
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I would describe myself as an “accidental sculptor”, as I discovered sculpting by chance. My career up until 2020 was that of a graphic designer. First working in a marketing agency for many years and then as a freelance designer. The freelance work only lasted for just over a year as the pandemic meant that work dried up. However, lockdown gave me the opportunity to discover sculpting. I very quickly realised that I needed a creative output, so began stone carving as my isolation challenge. My parents asked me to carve a copy of a Stephen Page bison in some limestone they had lying around. So I borrowed some rudimentary tools and had a go. As a family, we had previously attended a 2 day stone carving workshop so I knew what I wanted to achieve, and the unseasonably warm weather meant that I could work outside almost every day until September, carving different animals and birds from polar bears to toucans to rabbits. The colder weather forced me indoors where I discovered that the clay maquettes I was making for reference for the stone carving, were works of art in their own right and that I could preserve them by getting them cast. Needless to say, I was hooked! I go to bed thinking about sculpting, and wake up thinking about sculpting. It really has become a bit of an obsession. So much so that I now work in a fine art foundry in the cotswolds. This has helped to fund my work, but also given me a huge insight to the whole process. In the last 2 years I have been fortunate to have sold out of an edition of bronzes and have created many pieces in both resin and bronze which I sell privately and through galleries and sculpture parks. There’s a quote by George Eliot which I feel describes my life over the last 2 years so perfectly… “It is never too late to be what you might have been.” I often think about my life path now and what direction it would have taken if not for the pandemic. Sculpting is my life and I wouldn’t change it for anything.
Artist featured by Saatchi Art in a collection
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