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The founded, headless, little figure got a new look.
The little lady turned into a Velociraptor.
The founded, headless, little figure got a new look.
The little lady turned into a Velociraptor.
The founded, headless, little figure got a new look.
The little lady turned into a Velociraptor.

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Ms. Raptor Sculpture

László Karácsonyi

Hungary

Sculpture, Ceramic on Plastic

Size: 5.9 W x 9.8 H x 5.9 D in

Ships in a Crate

SOLD
Originally listed for $910

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The founded, headless, little figure got a new look. The little lady turned into a Velociraptor.

Year Created:

2017

Subject:
Medium:

Sculpture, Ceramic on Plastic

Rarity:

One-of-a-kind Artwork

Size:

5.9 W x 9.8 H x 5.9 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Hungary.

Need more information?

Need more information?

In my early years I wanted to become a sculptor, though I had not found a master in this field, it so happened that I learned and then graduated as a painter at the Hungarian University of Fine Arts. My diploma work consisted of an aluminium suit of armor as well as a photogram of the armor and thus it had nothing to do with painting. I guess I am an artist who has difficulties with tolerating the genre limits. For me, creation itself is not only an enjoyable game of gadgeteering, but an experimentation concerning art-ontological questions. A work becomes interesting for its several contradictory layers of meaning i.e. its self-contradictions. At the same time, one may also be thrilled by an ’empty’ work towards meaninglessness. My point is to find and retain the highest level of self-identity and authenticity (in some cases even the eye-wash), as well as the further reflections of the private mysticism arising from the influential visual effects and motives of my childhood. In the recent years, the main characteristics of my creative work are creating objects and sculptures, and painting. I am gifted with a compulsive imaging instinct. Bridging the gap between the contradictions with humour is my fundamental intension. I believe that art should not always represent the unbearable heaviness of being, that is too serious.

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