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Size: 23.6 W x 20.5 H x 2 D in
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Penrose, Acrylic and pigments on MDF 2018 The idea of tridimensional painting was necessary for this project. While I was working on the pattern as figure volumes, I thought it's not enough. The volume needs movement and must imply that the viewer will move too. It's always challenging to create a piece thinking of the space reaction and viewer's too. Colors have their own reaction and interaction. the shape on its own is challenging your vision of space and geometry (ref: Penrose by Oscar Reutersvärd and Escher) So the first option was to build a shape the same way I paint and create the motion in different ways. The goal is mainly on the interaction and definition of space with colors. Still, there are some other options. the sculpture is suspended by a hook and a cable.(Supplied in the shipping)
Sculpture:Wood on Wood
Size:23.6 W x 20.5 H x 2 D in
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Moritz’s corpus of art is an infinite voyage. Her calling never discovers a termination. On a diurnal degree, Moritz is compelled to confront herself personally with the transcendence of light. Light is an exceptional commodity for her, it's something which she adores and desires but also causes agony to her. Enduring the torment she creates with her art objects a utopian architecture (mindscape) where she unveils an unfeasible geometry. Her objects are portals to a dissimilar sphere where the mind absconded and is confronted with a clear result of a never materializing entity of art. The inevitable consequence is a painted geometry that provides balance and an optical euphony in a very intelligible manner. Her art is inspired by former Bauhaus artists like Josef Albers. Moritz lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. Moritz believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism. co-written with J. P. Wolters Selected Artist part of New Voices, Saatchi ART 2021 special Edition Catalog Meet 100 Artists Who Are Changing the Conversation.
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