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Piece of "The Wall" No. 60 Sculpture

Adrian Luz

Germany

Sculpture, Steel

Size: 50 W x 50 H x 15 D in

Ships in a Crate

This artwork is not for sale.

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1

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Weight-based Art 1€/g Weight: 9.4 kg THE WALL "I have built a GREAT GREAT Wall, and like all walls, they are meant to be written and painted on, and one day to be broken.” For the 30th anniversary of the Fall of the Berlin Wall, Adrian Luz designed a brutal installation. It was on view the whole...

Year Created:

2019

Subject:
Method:

Sculpture, Steel

Rarity:

One-of-a-kind Artwork

Size:

50 W x 50 H x 15 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Artist and architect Adrian Luz is part of a new, ‘transnationally’ active generation. The term refers to a biography and body of work spanning multiple countries, whereby changes in perspective and social realities related thereto are not negated but given a positive artistic interpretation. Adrian Luz was born in the border town of Tijuana (1974), grew up in Los Angeles, spent numerous years in Paris, and is currently living in Berlin. He is known for his temporary art installations in public spaces. Interventions like “Of Two” on the Simone de Beauvoir pedestrian bridge in Paris (2012), “Reminiscences of a Higher Place” in La Jolla Indian Reservation, San Diego (2016), “Something Inside Myself” at Miami Art Basel, Miami (2016), and various creative interventions at Burning Man festivals create unique, aesthetic social places- moments of spontaneous gathering and positive appropriation by passers-by. When the artworks of Adrian Luz disappear, they remain as memories, thoughts, and more importantly, as proof of a best case scenario of a new societal possibility.

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