Requiem for Gaia – The Doomsday Machine Sculpture

CURRENT PROFESSIONAL ACTIVITIES • Has been working as Plastic Artist since 1976. • Accomplished 23 individual art exhibitions and has been participated of 111 group Art Exhibitions. • Has been participated of 55 Salons of Art (where was awarded 21 times) and has received 2 homage due his professional work. • Has been teaching Art History, Color Theory, Drawing, Watercolor, Pastel and Painting at Ateliê Oficina FWM of Art since 1996. • Has works represented in many Museums, Cultural Institutions, private and corportive collections of Brazil, Latin America and USA. • Has been giving Lectures in Art Schools, Cultural Institutions, Colleges and Universities since 1983. • Has been member of Jury in Salons of Art since 1987. • Has been working as graphic designer (creating logos and packages for several companies, making desktop publishing, creating advertising pamphlets, folders, etc.) since 1995. • Has been member of the Brazilian Association (ABCA) of Critics of Art since 2019. • Has been updating his knowledge through own studies and researches in Museums of Europe, Latin America and USA. PAST PROFESSIONAL ACTIVITIES 2013/18 – Was elected two times as the president of APAP-SP Professional Sao Paulo Association of Plastic Artists (2013/2018). 2016/17 – Was one of the three Curators of the project “Art Brazil Week” 2016/17 – Sao Paulo, Santos and Caraguatatuba. 2016 – Was the curator of the final Art Exhibition of the “Sao Paulo Cultural Map”, at the Marta Traba Gallery on the Latin America Memorial – Sao Paulo. 2015/16 – Was the Coordinator of visual arts to the “Sao Paulo Cultural Map” 2015/16 edition of the Sao Paulo State Commission for the Plastic Arts. 2014 – Was the Curator of the exhibition “A Copa é Aqui” with the participation of 32 artists of many countries. Espaço Cultural do Banco do Uruguay – Cultural Space of Bank of Uruguay 2013 – Was cultural and technical coordinator of the Project “Oficina de Esculturas” (Sculptures Workshop) on the city of Rio Grande/RS.