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Route 66 Mason Jar II Sculpture

Jacqueline Tse

United States

Sculpture, Clay on Ceramic

Size: 4 W x 10 H x 4 D in

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About The Artwork

Intricate porcelain confections are created with an irresistibly perturbing charm, resulting in a surreal dimension beyond dreams where sugar and fetus skulls are remixed into a delicate bittersweet pop narrative. I used a variety of sculpting techniques such as hand building, carving, plaster mold making, slip casting, and slip piping to construct this piece. White is the color of death in Chinese culture, and this series of work is about the peace I have made towards my sugar addiction. The bare bone-like surfaces of the porcelain are meant to be evocative and peaceful at the same time. Hiding behind the enchanting sugar surface are subliminal messages against the over indulgent contemporary society, and how I fell victim to this disease. To bring awareness that our desire for consumption is an escape from ourselves and inner truths. These works are fueled by my personal love-hate relationship with sugar and part memento mori. It is an ode to my obsessive and indulgent nature, childhood nostalgia, love of pastry arts, frustration, and ultimately, acceptance of my addiction to sugar.

Details & Dimensions

Sculpture:Clay on Ceramic

Original:One-of-a-kind Artwork

Size:4 W x 10 H x 4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an emerging visual artist, based in Tucson, Arizona, working primarily in clay, metal and wax. Born 1984 in San Jose, California, raised between Hong Kong and the US, I received my BFA from New York University in Studio Arts in 2006. Right out of college I went onto a career in design. I worked in the fashion industry in New York City for a decade, designing jewelry for a variety of established American brands. I really enjoyed it, but working a full time design job and the stress from climbing the corporate ladder eventually caught up with me. I no longer wanted to contribute to fast fashion and corporate greed. Being laid off in 2015 was a blessing in disguise, that's when I returned to my passion of sculpting as a form of self therapy. My work is highly influenced by my anxieties of being human, particularly the dilemmas of everyday urban life. It is an ongoing exploration of my fascination with American society of excess and shameless consumerism, social media overstimulation, greed and gluttony as a remedy for emotional disconnection. Meanwhile still celebrating the beauty and flaws of these fragile human conditions.

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