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‘Seatingbud on Fabricated Organic Matter’ Sculpture

James Burke

United Kingdom

Sculpture, Other

Size: 118.1 W x 39.4 H x 0.1 D in

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Functional furniture design & non-functional sculpture. Art Deco, the Bauhaus, Minimalism & Designart movements of the 20th century. The tensions created by the established aesthetics or ideological dictums that accompany sculpture, versus the ergonomics & practical demands in creating a product.

Year Created:

2007

Subject:
Method:

Sculpture, Other

Rarity:

One-of-a-kind Artwork

Size:

118.1 W x 39.4 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Need more information?

Need more information?

James Burke (b.1983) is a London based visual artist. 6 years of fine art training, culminated in a Masters degree at UAL Central Saint Martins in 2007. James Burke’s practice challenges current notions of colour & process, pattern & geometry, materiality & form; whilst drawing on principles from Formalism, Hard Edge & Minimilism, to the Bauhaus, Design Art & Relational Aesthetics. The circular geometry used by the artist seeps into cultures, with subtle differences & a broad range of applications. The geometry has been seen & experienced inside churches, cathedrals, mosques, synagogues, roman villas, ancient ruins, shopping malls, haute couture, books & museums. The artist extracts this geometric form & applies it through a postmodern working methodology. Artist notes: - ‘The act of using circular forms, creates a bridge between geometry as the machinery of reality, and the ergonomics of organic matter.’ J Burke, Financial Times Magazine, 2007. - Design principles & psychological narratives are explored through the lenses of both nature & the machine. - The circular form is beautiful. It never ends. - Belief is built around what is not visible, the empty fragments between what is visible.

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