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"Snake Woman" Sculpture

Fiorella Fusilli Thomas, Italy

Sculpture, Ceramic

6.3 W x 7.1 H x 3.9 D in

Ships in a Box

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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White refractory clay sculpture. Its proportions are slightly stylized until it assumes a fluid movement like that of a snake. It is particularly dear to me because I believe it is very harmonious in its proportions and in its being.

Year Created:

2000

Subject:
Method:

Sculpture, Ceramic

Rarity:

One-of-a-kind Artwork

Size:

6.3 W x 7.1 H x 3.9 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Fiorella Thomas was born in Rome on August 19, 1955. Always interested in art in all its forms, she followed the courses of the Faculty of Architecture for a few years but finally decided on a decidedly artistic and less technical-functional path. From 1984 he began to follow modeling courses in Italy and abroad, focusing mainly on sculpture as his favorite artistic expression. His material of choice is clay. He starts teaching at some Roman associations since 1985. He has exhibited at several Roman group exhibitions. It has been reviewed in the periodical "Tracciati d'Arte" by the critic Giacomo Belloni who describes his art as light and delicate. Belloni writes: "The figures of Fiorella Thomas are these: lay icons, hyperuranic entities, women and girls taken from the very idea of ​​femininity to be molded in clay as impalpable essences. When we find ourselves in front of a sculpture by Fiorella Thomas we take a break to deliberately distract ourselves from reality and enter a sort of confusional state, of bewilderment; a state in which every certainty is upset. Postures that are always gentle and delicate, impalpable faces, as if veiled by a light powder that softens any wrinkled or forced expression "Tracciati d'Arte n.12 2015

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India Balyejusa, Senior Curator