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THE ABILITY TO DESTROY A PLANET IS INSIGNIFICANT NEXT TO THE POWER OF THE FORCE Sculpture

Thomas Webb

United Kingdom

Sculpture, Aluminium

Size: 5.1 W x 88.9 H x 5.1 D cm

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This sabre shows the rate at which the human race is negatively affecting the planet. It’s flashes bright violet each time one hectare of forest is cut down due to deforestation, in real-time, a more civilised chainsaw. Deforestation is a complex issue that is often clouded by political influence. ...

Year Created:

2018

Method:

Sculpture, Aluminium

Rarity:

One-of-a-kind Artwork

Size:

5.1 W x 88.9 H x 5.1 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Thomas Webb (b.1991) is a London based new media artist that investigates unexplored applications of technologies as a method for visualising digital artwork in a physical space. Webb works with video game engines, custom-written physics applications and 3D rendering software to recreate themes inside the computer; Hand-building various electronic machines and inventions to re-interpret these virtual artworks into hyper-realistic four-dimensional artworks. Webb challenges the barrier between the viewer and technology used to display computer-generated artwork to create a seemingly technology-free consummation. Webb invented the digital infinity mirror; an innovation of the infinity mirror using high power commercial LED displays, custom-built computer hardware and architectural dielectric glass. This combination of materials realises his vision of a digital medium that shifts in 4-dimensions as a function of each viewers perspective. Inside his artworks, he questions the real-life scenarios and consequences created through our newly acquired, daily use of technology. Harnessing real-time data feeds from mortality statistics, stock market prices and social media feeds to juxtapose a reflection on ultimate contemporary life. He is often touching on themes of mental health, addiction, big data and control as a guinea pig of the internet revolution and asking questions about the various implications of its application on modern society. In 2019 he contributed to the group-show ‘link in bio’ at the Museum of Fine Arts, Leipzig, curated by Anika Meier. He showed a real-time emotion recognition neural net that recreates the viewers facial expression in emojis. He presented a similar body of work for a larger installation in the atrium of Scope international contempiorary art show in Miami Beach during Art Basel. He has contributed to a solo-show, “STRANGERS” (2018) which harnessed real-time data depicting mortality rates and mental health on social media. He is a long-standing artistic collaborator with fashion brand Valentino; Building multiple installations including a six-story monolith in Seoul, South Korea, a triptych motion tracking digital infinity mirror installation in Munich, an AI recognition installation during Art Basel Switzerland, and hologram installations in Tokyo, Japan and Dubai, UAE.

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