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Teamflow Sculpture

Andie Grande

France

Sculpture, Plastic on Soft (yarn, Cotton, Fabric)

Size: 48 W x 46.1 H x 1.2 D in

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$2,950

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About The Artwork

We are comfortable in the presence of organic materials such as wool silk and sisal because there’s a poetic connection, a memory. A woollen garment evokes a sheep, a paddock and a whole process of combing and weaving. This memory, this ritual is lacking when we’re faced with synthetic materials. For this reason, in our actual throw away culture it’s impossible to relate to these synthetic materials. By integrating these materials into a work of art, my aim is to create that missing poetic memorial link whereby the viewer can celebrate these ‘foreign’ materials in the same way they would celebrate those traditional organic ones.

Details & Dimensions

Sculpture:Plastic on Soft (yarn, Cotton, Fabric)

Original:One-of-a-kind Artwork

Size:48 W x 46.1 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m a visual artist and lecturer on Environmental Art. In my work I’m currently exploring the aesthetics of organic fibre and refuse synthetic fibre. Conducting workshops and lectures on Art and Environment to environmental science students I was naturally led to consider 'junk' materials as something to celebrate and to showcase these for their inherent virtues beyond mere usefulness. I hope to share with the viewer the beauty of bonding with materials we tend to disregard and foster an organic aesthetic. I’m fascinated by the juxtaposition of junk synthetic produce bags with sisal wrapping string. By this I’m marvelled at how a parallel ecology comes to the foreground. Recycling junk for the mere sake of recycling is not enough. I strongly feel that praising matter for its own sake is more fulfilling, and art is the best way of looking at discarded materials as a resource for creation. In considering environmental issues it's important to me to reconnect to our surroundings: the material world is the springboard of evolution, where I can enact the attempt to “love matter as myself”. As I shape matter, I myself am being shaped. The style is abstract and yet tactile. I like the materiality of humble materials.

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