VIEW IN MY ROOM
Canada
Sculpture, Metal on Iron
Size: 2 W x 6 H x 2 D in
Ships in a Box
Sometimes a sculpture just cries out to be released for the metal, determined to be brought to life. The artist becomes midwife.
Original Created:2018
Subjects:Abstract
Sculpture:Metal on Iron
Original:One-of-a-kind Artwork
Size:2 W x 6 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
I am a child of the twentieth century. There were open roads coursed by convertibles without seat belts and fastbacks with earth pounding V-8 engines. Brave men piloted glorified tin cans propelled by massive rockets into “outer space”. We played outdoors, unsupervised until we were summoned for dinner, went on Sunday drives. Our black and white TV got seven channels (a couple more on a good day) and three were from Buffalo, NY. On every drive through town we passed sprawling limestone mills; their windows agape releasing the thundering sounds of power hammers and their blackened stacks whispering with acrid plumes. All this has passed. My life has turned in unexpected ways. With little planning and no defined goals, I acted on a decades old desire to create; to use my hands, to make something. I learned to manipulate metals; earthly elements. Methods, techniques, technologies were studied, experimented with, and practiced. My sculptural work is deeply rooted in that past century; the portion I witnessed and much that came before. But it is not nostalgic. Art deco skyscrapers, streamliners, air-cooled motorcycle engines, sci-fi movie sets and concept cars from Detroit: these are acknowledged; not mourned. Forms are always changing, in motion, leading me onward. I see in them something not wholly natural but they are alive none-the-less; a dialogue and a dance unfolds between the organic and the manufactured. These interactions are sometimes tense and threatening, sometimes melodic and serene, always genuine. David Cross Elora, Ontario 2018
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