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A figure is held in place, arms spread to the sides and torn, as if it vanishes into the air. Reminding a tree that is stuck deep down in the earth with it’s branches and leaves growing into space. The wire mesh is almost like small computer poligons or pixels that flow out into space and let’s the viewer imagine the figure continuing out and endless. In the body sculpting process I use metal mesh to create space, muscle tissue and bone, yet the semitransparent mesh allows the viewer an objective interpretation to the naked human body in space. By using everyday materials, tough, rough, and massive, which usually are unseen, covered and are below the surface - concrete, steel mesh and overcoat of color – the sculpture come to the center of the space. The use of these materials to create human bodies, vulnerable, rounded, yet muscular fortified eager for battle - make the process of the creation complex and full of emotional intensity. Power and basic materials on the one hand with outstretched hands up and sideways without shame on the other, trying to convey a feeling of sculptures trying to continue, expand and leap out of the base castings which fixes them in place, and look like branches that end in a kind of unraveling and falling apart in space. The semitransparent sculpture in space gives the viewer a new angle and changes from different directions, and so keeps evolving when surrounding it.
A figure is held in place, arms spread to the sides and torn, as if it vanishes into the air. Reminding a tree that is stuck deep down in the earth with it’s branches and leaves growing into space. The wire mesh is almost like small computer poligons or pixels that flow out into space and let’s the viewer imagine the figure continuing out and endless. In the body sculpting process I use metal mesh to create space, muscle tissue and bone, yet the semitransparent mesh allows the viewer an objective interpretation to the naked human body in space. By using everyday materials, tough, rough, and massive, which usually are unseen, covered and are below the surface - concrete, steel mesh and overcoat of color – the sculpture come to the center of the space. The use of these materials to create human bodies, vulnerable, rounded, yet muscular fortified eager for battle - make the process of the creation complex and full of emotional intensity. Power and basic materials on the one hand with outstretched hands up and sideways without shame on the other, trying to convey a feeling of sculptures trying to continue, expand and leap out of the base castings which fixes them in place, and look like branches that end in a kind of unraveling and falling apart in space. The semitransparent sculpture in space gives the viewer a new angle and changes from different directions, and so keeps evolving when surrounding it.
A figure is held in place, arms spread to the sides and torn, as if it vanishes into the air. Reminding a tree that is stuck deep down in the earth with it’s branches and leaves growing into space. The wire mesh is almost like small computer poligons or pixels that flow out into space and let’s the viewer imagine the figure continuing out and endless. In the body sculpting process I use metal mesh to create space, muscle tissue and bone, yet the semitransparent mesh allows the viewer an objective interpretation to the naked human body in space. By using everyday materials, tough, rough, and massive, which usually are unseen, covered and are below the surface - concrete, steel mesh and overcoat of color – the sculpture come to the center of the space. The use of these materials to create human bodies, vulnerable, rounded, yet muscular fortified eager for battle - make the process of the creation complex and full of emotional intensity. Power and basic materials on the one hand with outstretched hands up and sideways without shame on the other, trying to convey a feeling of sculptures trying to continue, expand and leap out of the base castings which fixes them in place, and look like branches that end in a kind of unraveling and falling apart in space. The semitransparent sculpture in space gives the viewer a new angle and changes from different directions, and so keeps evolving when surrounding it.

550 Views

3

View In My Room

The Gaze Sculpture

Ofer Rubin

Israel

Sculpture, Steel

Size: 21 W x 30 H x 8 D in

Ships in a Box

SOLD
Originally listed for $2,260

550 Views

3

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A figure is held in place, arms spread to the sides and torn, as if it vanishes into the air. Reminding a tree that is stuck deep down in the earth with it’s branches and leaves growing into space. The wire mesh is almost like small computer poligons or pixels that flow out into space and let’s the ...

Year Created:

2016

Subject:

Body

Styles:

Conceptual

, 

Figurative

, 

Fine Art

, 

Modern

, 

Pop Art

 

Method:

Metal

, 

Steel

, 

Other

 

Method:

Sculpture, Steel

Rarity:

One-of-a-kind Artwork

Size:

21 W x 30 H x 8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Israel.

Need more information?

Contact us.

Need more information?

Contact us.

Graduated from Department of Industrial Design at Bezalel. A multidisciplinary artist and entrepreneur. Throughout my career I focused on the intersection between art and technology. This included founding a computer graphics animation business, a 3D imagery company, designing computer games and commercials, and serving as creative director and advisor for technology startups.

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