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Sculpture, Ceramic
Size: 47.2 W x 10.2 H x 0.8 D in
Ships in a Crate
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“The horror of wars” is a mosaic made up of five engobed, engraved, painted ceramic tiles, surrounded by a network of coconut fiber, and placed on treated wood. Each tile represents a country where there have been wars. They are divided in half: the black part has engraved signs that go in the direc...
2001
Sculpture, Ceramic
One-of-a-kind Artwork
47.2 W x 10.2 H x 0.8 D in
Not Applicable
Not Framed
Certificate is Included
Ships in a Crate
Shipping is included in price.
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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I live in Ravenna Italy, in my studio-home. I started my career as a ceramist in 1983 after attending the two-year INIASA ceramic course in my city, working as a decorator. I characterized my production with majolica inspired by the Byzantine mosaics of Ravenna and with the polychrome elaboration of a particular vine branch typical of the regional territory, marketing to private customers, shops, institutions by holding fairs and markets. Due to the need for large spaces, I moved my home and workshop to the countryside adjacent to the Po Delta Park for 15 years. Life in close contact with nature influenced the creation of landscape panels and bas-reliefs depicting the flora and fauna of the Delta , the Dunes of the sea and the abstract panels with carvings and reliefs. Curiosity about the use of materials other than ceramics led me to experiment with glass fusion, mosaic and papier-mâché. After my rural experience I lived and worked for several years in Dubai where I taught ceramic decoration at the Dubai International Art Center and at the Yadawey Ceramic Studio. I have exhibited at the Dubai Mall and for many years at the Alserkal Cultural Foundation, receiving prestigious commissions. Currently, driven by the search for symbolic and material lightness, I work with the experimental technique that I have called "Lightness Technique" with which I pour the porcelain or liquid clays that I prepare myself, into recycled cardboard molds that I shape and assemble to create the conceived forms. For more info visit: https://www.robertabarlati.com/
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