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37
View In My Room
Sculpture, Paint on Cardboard
Size: 77.6 W x 126 H x 22.8 D in
Ships in a Crate
2119 Views
37
Featured in the Catalog
Featured in Inside The Studio
Artist featured in a collection
As the progress of neurobiological science in the last ten years has dramatically shattered our well-meaning illusions about rationality, and the developpement of nanotechnology will soon allow the merging of biological and artificial intelligence, the discussion about human identity will become one of the most urgent sociological topics of our century. In this context, the Illustrated Man represents the artistic incarnation of the robot sapiens that looks at us from out of the mirror - he whose destiny has been graven into his skin: programmed as much by his genetic code as by his social education, and whose brains, given the nano-technical means, might soon be manipulated by mechanical intervention as well. The sculpture is conceived as an interactive work. During exposition, visitors will be asked to inscribe on its surface their own opinions as to the degree of freedom of thought and decision making conceded (or not) to the human race. I am the illustrated man the script of my life written into my skin my body the keyboard of my destiny my brain the playground of evolution I am the illustrated man programmed to believe that man is born free from The Koda (2010)
2010
Paint on Cardboard
One-of-a-kind Artwork
77.6 W x 126 H x 22.8 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Switzerland.
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Switzerland
Juliet Vles is an European multidisciplinary artist, born in 1950 in the Netherlands, of Swiss-French nationality and actually living and working in Switzerland. Essentially an abstract painter and sculptor, whose work is mainly to be found in arte povera and minimal art collections, her artistic interests also include installation work, drawing and digital painting. The works of the Krypta series, half-painting half-sculpture, are geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that does not seek to depict reality, nor even its abstraction, but the imago of an unconscious area of the mind not immediately accessible to analytical intelligence. Formally, the hallmark of Vles’ artwork is the unusual combination of its sober, geometrical underlying structure and the multilayered, rough texture of the painted surface. Although often shown in exhibitions featuring Concret Art, her work owes more to the Support/Surface movement than to formal Constructivism. In her recent work, the artist increasingly abandons the notion of "making images" and rather sees her wall sculptures as an extension of architecture - expanding the supporting wall by an additional physical and esthetical dimension. In 2017, the artist started working on a series of reverse glass paintings, revisiting the glass sculptures and installations she created between 1997 and 2003 and drawing on the technical experience she acquired during that period. For the GLASSWORKS please see
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