VIEW IN MY ROOM
Colombia
Sculpture, Plastic on Plastic
Size: 33.5 W x 33.5 H x 19.7 D in
Ships in a Crate
Artist Recognition
Artist featured in a collection
Umbilical es la ruptura de una membrana de polen, es un puente entre el ombligo inconsciente y la gestación automática de una gota, aquí hace presencia un agresivo elemento, sintético como antena, eterico como el hilo de plata, y templado como el estambre que emerge de las entrañas de mi madre ausente. En Umbilical se conjugan elementos antagónicos en sus características intrínsecas, simultáneamente busco una interacción entre estos dos componentes que me permita expresar la condición íntima e inquebrantable que los une. Adicionalmente Umbilical representó la incorporación de elementos elaborados en torno con madera, finalizada con pintura Poliester y que a su vez configura un esqueleto o estructura desde el respaldo que permite el acople con el ombligo de Poliuretanos expansivos, modelado sobre una membrana elástica sumida, y también en movimiento centrifugo.
Original Created:2019
Subjects:Abstract
Sculpture:Plastic on Plastic
Original:One-of-a-kind Artwork
Size:33.5 W x 33.5 H x 19.7 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Colombia.
Customs:Shipments from Colombia may experience delays due to country's regulations for exporting valuable artworks.
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Colombia
Since when could I account for a conscious creative process ... maybe it would be with my sketchbook of robot faces inspired by Maziger Z (Japanese anime from the 80's) when I was seven years old, which in spite of me got lost in I am in the midst of childhood comings and goings, but I remember obsessively undertaking and being fascinated by all the geometric possibilities offered to me by those squared sheets that did not get to see great achievements in mathematics, fortunately or unfortunately the diastole of my left hand I was there and the giant was also (papà) the first and only artist that I could say that I know from the foundations of the sanguine, a severe, rigorous and contradictory adult, a monster, who trained and stimulated me regarding what concerns us (the exercise, transit and procedure of practices for the liberation of the human spirit called art), this represented inhabiting and absorbing from an early age the experiences pro pias from an advertising and Screen workshop back then, full of appetizing and suggestive gallons of paint in an infinity of synesthetic colors for me, full of smell and taste were almost like food, the mountains of residual material (garbage) that produced "the signature" it was my concern to eliminate them by means of epic burns with thinner and varsol fragrance, already with red eyes from the "healthy" smoke I was ready to enter the boring photography laboratory full of cigarette fog produced by the giant and that was revealed with the red light turned on so as not to enrage the big-headed insect (negative enlarging machine), for the first time I associated darkness with silence, it was a "sacred" space due to the monster's irate temperament, we lived In a small city, we would walk back home, the giant walking fast, I was going for a marathon in search of my squared notebook.
Artist featured by Saatchi Art in a collection
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