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Untitled IV (Underskin Series) Sculpture

Dafni Bampanioti

United Kingdom

Sculpture, Gesso on Ceramic

Size: 3.9 W x 3.5 H x 2.7 D in

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Originally listed for $290
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About The Artwork

Underskin is a series of five unique hand shaped clay sculptures particularly created for the Infinite Human: No Boundaries Exhibition in London, April 2017. Each one of the sculptures has been fired, hand painted with gesso and acrylic paint and then varnished. Underskin Series is the result of my fascination with the female body. We are all unique, different and beautiful in our own way. All we need to do to realise that is look close, look at the detail, look for the magic that happens beneath our skin. **Sculpture is hollow at the back for bisqueware firing purposes and best displayed against a wall.

Details & Dimensions

Sculpture:Gesso on Ceramic

Original:One-of-a-kind Artwork

Size:3.9 W x 3.5 H x 2.7 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born 1990, Athens, Greece. Currently living and working in London, UK. I have always felt (and been told!) that as a woman I need to be the best in everything I do if I were to survive in this world. Be the smartest, be the prettiest, be the most hardworking, be the kindest, be everything and not just anything. But being a woman is not a simple thing these days. How can one describe all the facts, issues and questions that arise when one looks at women? Can art alter our thoughts and beliefs about the female or are men and women around the world brainwashed by the stereotypes built around the female over the passing of time? It is our extraordinary nature, form and idiosyncrasy that have driven my recent work to deal with such matters. My research, both aesthetically and technically, is a journey in finding the answer to the aforementioned. I have always painted women, not only as a way to understand and map my own body and self, but also to satisfy my inner need of materialising the mystery and complexity of the word ‘woman’.

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