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Sculpture, g4 on Soft (Yarn, Cotton, Fabric)
Size: 31.5 W x 27.6 H x 19.7 D in
Ships in a Crate
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The work questions the concept of labor. Tools, and work-outfits are transferred into archive material and preserved in a futuristic history museum, in a way inspired by techniques that are used in science museums. The work leaves space to imagine what the future holds, what are the new possibilities, beyond labor as we know, the engine of the neo-liberal society, it invites to think of labor, from a future perspective beyond homo- economicus.
2017
g4 on Soft (Yarn, Cotton, Fabric)
One-of-a-kind Artwork
31.5 W x 27.6 H x 19.7 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Austria.
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Austria
Nour Shantout, was born in Damascus, Syria in 1991 and have spent the last 6 years in Beirut, Paris and Vienna. She started studying art at the Academy of Fine Arts in Damascus in 2009 and continued her work abroad. She completed her bachelor’s of art in 2014 at The Lebanese Academy of Fine Arts where she received the Helen EL Khal prize (2014) and continued her graduate studies at the École de Beaux-Arts of Paris. She is currently living in Vienna and studying at the Akademie der bildenden Künste Wien (Textual Sculpture, Prof. Heimo Zobernig) since 2015. She works around social barriers, heritage, counter-memory, and counter-history. Through concepts of failure she questions the different aspects of protection and preservation.
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