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Cosa sono le nuvole, città / Rocca Calascio
Cosa sono le nuvole, città / Rocca Calascio
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What are the clouds? Cities. / Rocca Calascio Sculpture

Anelo Novantasette

Italy

Sculpture, Metal on Metal

Size: 27.6 W x 6.3 H x 17.7 D in

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Originally listed for $1,180
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About The Artwork

What are the clouds? Cities. 6 x 6 mm square section solid steel, arc welded and with mixed finishes: rust, black, white, gold and chrome. 5 clouds, cities: Chrome: Rome; White: Rocca Calascio; Rust: Venice; Gold: Milan; Black: Greccio. Critical text Connections, at the heart of Anelo 1997's works, are a focal point for us human beings. The weaves of the Clouds tell the story of human relationships, which need lines, solid points and meeting fences to be fixed in space and therefore in time. The structures of Anelo1997’s works arise from the multiplication of geometries that follow one another and that stop reproducing only when their meaning is grasped. In the Clouds, the architectures of relations between man and space have no beginning and no end, so they are infinite and circular. Relationships, by occupying a physical space, materialize into chance of attraction: possible cities that ask to be inhabited, recall a network of social opportunities. The clear sky is an ambition, but the clouds as cities oppress this freedom, yet they are an object of desire.

Details & Dimensions

Sculpture:Metal on Metal

Original:One-of-a-kind Artwork

Size:27.6 W x 6.3 H x 17.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Anelo1997 is a workshop that designs and manufactures iron sculptures, installations, and architecture. Architectures of pure forms, ferrous structures like diagrams that represent the relationships between men and with space. Archetypal forms, memories that are structured, become fixed in lattices of cubes and lines and continue to project themselves around, in dialogue with the observer. The intertwining of forms tell of encounters, relationships, places and wills. Our stories need lines, welded points and meeting fences to be fixed in space, therefore in time, structuring themselves as a multiplication of shapes that follow one another and stop reproducing only when the meaning is grasped and fixed. Since childhood, we draw lines that run along and off the pages and which in the encounter with a thought, with the Other, close and create a space of relationship where something happens. It’s easy to imagine yourself walking those lines through time and your own memories, stopping in the perfect enclosures where even someone Else has found their meaning in our same time and in our same space. The forms of Anelo criticize and choose to reveal architecture, they follow the need to go back to the origin of things according to a reconstructive criticism. Anelo reaches the zero degree of architecture, modeling the forms in a highly reproductive possibility and maintaining their character of stability, but in a dynamic body. The forms of Anelo continue to move and project themselves around, they change as the point of view changes: stable forms in a flow of transformation.

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