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“For the dead and the living, we must bear witness.”
(Elie Wiesel)

The world is full of events that bring wonder to all of us. As human beings, sometimes we can do nothing except being 
witnesses to these occurrences.

Considering fundamental social issues such as democracy, human rights, equality, capitalism, migration and the plurality of the society we live in, are central to my work. I hope that my new collection titled “Witnesses” touch us at the very core, reminding us of our shared humanity like justice, honesty, forgiveness, and decency. “Witnesses” are inspired by the twelve statues known collectively as the “Tell Asmar Hoard” that are famous for having wide eyes, and their sense of humble attentiveness are appealing. 

The clean simplicity of "Witnesses" offers a vast space in which to push our mind. We can see a deep innocence, and compassionate gaze in their eyes that never force us to venture too deeply but, rather, leaves it entirely up to us as to how far in us might like to travel.  Also, by sculpting Witnesses, I place myself in other people’s eyes, challenging my own belief systems, feeling their pain, sorrow, hope, joy, loss, and vulnerability.

“Witnesses” are small simplified figures, standing or sitting in specific poses, all emphasize on their faces.  I tried to present variety of emotions, changing their facial expressions with minimum change in details. These figures are meant to move people to feel intense emotions. They don’t have a specific identity, they are symbols of different people who are conveying their feelings of what they are witnessing in this wondrous life. Their facial expression, astonished look, and their wide eyes shows their reactions. Here I invite viewers to try to experience the Witnesses' sentiment. I want to challenge people to find answers to the Witnesses’ Enigmas, why are they so astonished? What are they gazing at? Or what are they witnessing?

My goal is to use my art against all the stereotypes that are fed to us on daily bases. I also continue to create socially engaging art pieces that invoke thoughts and encourage conversations about social issues that surround us. Creating original pieces that truly move people to feel intense emotions is a challenge that I try to explore with my sculptures.
“For the dead and the living, we must bear witness.”
(Elie Wiesel)

The world is full of events that bring wonder to all of us. As human beings, sometimes we can do nothing except being 
witnesses to these occurrences.

Considering fundamental social issues such as democracy, human rights, equality, capitalism, migration and the plurality of the society we live in, are central to my work. I hope that my new collection titled “Witnesses” touch us at the very core, reminding us of our shared humanity like justice, honesty, forgiveness, and decency. “Witnesses” are inspired by the twelve statues known collectively as the “Tell Asmar Hoard” that are famous for having wide eyes, and their sense of humble attentiveness are appealing. 

The clean simplicity of "Witnesses" offers a vast space in which to push our mind. We can see a deep innocence, and compassionate gaze in their eyes that never force us to venture too deeply but, rather, leaves it entirely up to us as to how far in us might like to travel.  Also, by sculpting Witnesses, I place myself in other people’s eyes, challenging my own belief systems, feeling their pain, sorrow, hope, joy, loss, and vulnerability.

“Witnesses” are small simplified figures, standing or sitting in specific poses, all emphasize on their faces.  I tried to present variety of emotions, changing their facial expressions with minimum change in details. These figures are meant to move people to feel intense emotions. They don’t have a specific identity, they are symbols of different people who are conveying their feelings of what they are witnessing in this wondrous life. Their facial expression, astonished look, and their wide eyes shows their reactions. Here I invite viewers to try to experience the Witnesses' sentiment. I want to challenge people to find answers to the Witnesses’ Enigmas, why are they so astonished? What are they gazing at? Or what are they witnessing?

My goal is to use my art against all the stereotypes that are fed to us on daily bases. I also continue to create socially engaging art pieces that invoke thoughts and encourage conversations about social issues that surround us. Creating original pieces that truly move people to feel intense emotions is a challenge that I try to explore with my sculptures.
“For the dead and the living, we must bear witness.”
(Elie Wiesel)

The world is full of events that bring wonder to all of us. As human beings, sometimes we can do nothing except being 
witnesses to these occurrences.

Considering fundamental social issues such as democracy, human rights, equality, capitalism, migration and the plurality of the society we live in, are central to my work. I hope that my new collection titled “Witnesses” touch us at the very core, reminding us of our shared humanity like justice, honesty, forgiveness, and decency. “Witnesses” are inspired by the twelve statues known collectively as the “Tell Asmar Hoard” that are famous for having wide eyes, and their sense of humble attentiveness are appealing. 

The clean simplicity of "Witnesses" offers a vast space in which to push our mind. We can see a deep innocence, and compassionate gaze in their eyes that never force us to venture too deeply but, rather, leaves it entirely up to us as to how far in us might like to travel.  Also, by sculpting Witnesses, I place myself in other people’s eyes, challenging my own belief systems, feeling their pain, sorrow, hope, joy, loss, and vulnerability.

“Witnesses” are small simplified figures, standing or sitting in specific poses, all emphasize on their faces.  I tried to present variety of emotions, changing their facial expressions with minimum change in details. These figures are meant to move people to feel intense emotions. They don’t have a specific identity, they are symbols of different people who are conveying their feelings of what they are witnessing in this wondrous life. Their facial expression, astonished look, and their wide eyes shows their reactions. Here I invite viewers to try to experience the Witnesses' sentiment. I want to challenge people to find answers to the Witnesses’ Enigmas, why are they so astonished? What are they gazing at? Or what are they witnessing?

My goal is to use my art against all the stereotypes that are fed to us on daily bases. I also continue to create socially engaging art pieces that invoke thoughts and encourage conversations about social issues that surround us. Creating original pieces that truly move people to feel intense emotions is a challenge that I try to explore with my sculptures.

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View In My Room

Witnesses Sculpture

Shahrzad Amin

Canada

Sculpture, Resin on Wood

Size: 6 W x 11 H x 13 D in

Ships in a Box

SOLD
Originally listed for $1,280

179 Views

4

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

These figures are hand cast in urethane resin and painted with acrylic paints. They are pretty light and unbreakable. The stand comes with the figure. “For the dead and the living, we must bear witness.” (Elie Wiesel) The world is full of events that bring wonder to all of us. As human beings, sometimes we can do nothing except being witnesses to these occurrences. Considering fundamental social issues such as democracy, human rights, equality, capitalism, migration and the plurality of the society we live in, are central to my work. I hope that my new collection titled “Witnesses” touch us at the very core, reminding us of our shared humanity like justice, honesty, forgiveness, and decency. “Witnesses” are inspired by the twelve statues known collectively as the “Tell Asmar Hoard” that are famous for having wide eyes, and their sense of humble attentiveness are appealing. The clean simplicity of "Witnesses" offers a vast space in which to push our mind. We can see a deep innocence, and compassionate gaze in their eyes that never force us to venture too deeply but, rather, leaves it entirely up to us as to how far in us might like to travel. Also, by sculpting Witnesses, I place myself in other people’s eyes, challenging my own belief systems, feeling their pain, sorrow, hope, joy, loss, and vulnerability. “Witnesses” are small simplified figures, standing or sitting in specific poses, all emphasize on their faces. I tried to present variety of emotions, changing their facial expressions with minimum change in details. These figures are meant to move people to feel intense emotions. They don’t have a specific identity, they are symbols of different people who are conveying their feelings of what they are witnessing in this wondrous life. Their facial expression, astonished look, and their wide eyes shows their reactions. Here I invite viewers to try to experience the Witnesses' sentiment. I want to challenge people to find answers to the Witnesses’ Enigmas, why are they so astonished? What are they gazing at? Or what are they witnessing? My goal is to use my art against all the stereotypes that are fed to us on daily bases. I also continue to create socially engaging art pieces that invoke thoughts and encourage conversations about social issues that surround us. Creating original pieces that truly move people to feel intense emotions is a challenge that I try to explore with my sculptures.

DETAILS AND DIMENSIONS
Sculpture:

Resin on Wood

Original:

One-of-a-kind Artwork

Size:

6 W x 11 H x 13 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Shahrzad Amin is an Iranian-Canadian award-winning interdisciplinary artist with more than twelve years of diverse experiences as a sculptor, multimedia and installation artist, model designer, stop-motion artist, and potter. She creates socially engaging art pieces that invoke thoughts and encourage conversations about socio-cultural issues that surround us. Shahrzad makes original pieces that truly move people to feel intense emotions. Her interest in fundamental social issues such as democracy, human rights, equality, and migration has informed an art practice examining diasporic and socio-cultural subjectivities through the lenses of art practice, sensory ethnographic filmmaking, architectural design, gender, and language. Her works highlight a social openness and necessity for global international connectivity, by applying the historical eastern architectural figures such as arch bridges as a metaphor for overcoming cultural distances. She obtained a BFA from Tehran University of Art in 2010 and a MFA from OCADU in 2020.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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